Mbira
The mbira, often called a thumb piano, is an integral part of Zimbabwean music. It is played while in a halved calabash which amplifies the sound and distorts it using shells or bottle caps placed around the edges. Though musicologist Hugh Tracey believed the mbira to be nearing extinction in the 1930s, the instrument has been revived since the 60s and 70s, and has gained an international following through the world music scene. Some renowned mbira players include Dumisani Maraire, Ephat Mujuru, Forward Kwenda, Stella Chiweshe, Chartwell Dutiro, Beauler Dyoko, Cosmas Magaya, Musekiwa Chingodza, Hakurotwi Mude, Chiwoniso Maraire, Tute Chigamba,Wilfred MaAfrica
Mbira DzeNjari is a mbira music genre popular along the eastern border of Zimbabwe. The mbira instrument has 32 keys, far more complicated than other types of mbira instruments. Not a lot is known about this type of mbira. Foreign students from University of Washington recorded some of the music during the Zimbabwe liberation war in Zimunya communal lands from prominent musicians in the area like Mombo Chiwanza and Nyika Musabayana Zimunya. The latter recorded one known single at Gramma Records, titled: Adzimai garaimwandichema. Other leading mbira groups include MbiraDzenharira, Maungira Enharira and Mbira Dzechirorodziva
There is also pop music in Zimbabwe that incorporates their indigenous instruments. Although the mbira is traditionally played as ceremonial music to call spirits, there are many who play it in world-fusion music and get successful radio play and album sales in Zimbabwe and other countries in Africa. For example, mbira player Chris Berry with his band Panjea have reached platinum record sales in Zimbabwe and Mozambique, playing a style of music based on traditional mbira rhythms and melodies, but incorporating various other instruments and styles (like hip-hop and dancehall).
Read more about this topic: Music Of Zimbabwe