Music of The United States

The music of the United States reflects the country's multi-ethnic population through a diverse array of styles. Among the country's most internationally-renowned genres are hip hop, blues, country, rhythm and blues, jazz, barbershop, pop, techno, and rock and roll. After Japan, the United States has the world's second largest music market with a total retail value of 3,635.2 million dollars in 2010 and its music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near global audience.

Native Americans were the earliest inhabitants of the land that is today known as the United States and played its first music. Beginning in the 17th century, immigrants from the United Kingdom, Ireland, Spain, Germany and France began arriving in large numbers, bringing with them new styles and instruments. African slaves brought musical traditions, and each subsequent wave of immigrants contributed to a melting pot.

Much of modern popular music can trace its roots to the emergence in the late 19th century of African American blues and the growth of gospel music in the 1920s. The African American basis for popular music used elements derived from European and indigenous musics. The United States has also seen documented folk music and recorded popular music produced in the ethnic styles of the Ukrainian, Irish, Scottish, Polish, Hispanic and Jewish communities, among others.

Many American cities and towns have vibrant music scenes which, in turn, support a number of regional musical styles. Along with musical centers such as Philadelphia, Seattle, New York City, San Francisco, New Orleans, Detroit, Minneapolis, Chicago, Atlanta, Nashville, Austin, and Los Angeles, many smaller cities such as Asbury Park, New Jersey have produced distinctive styles of music. The Cajun and Creole traditions in Louisiana music, the folk and popular styles of Hawaiian music, and the bluegrass and old time music of the Southeastern states are a few examples of diversity in American music.

Read more about Music Of The United States:  Characteristics, Diversity, Folk Music, Classical Music, Popular Music, Government, Politics and Law, Industry and Economics, Education, Scholarship, Holidays and Festivals

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    So gladly, from the songs of modern speech
    Men turn, and see the stars, and feel the free
    Shrill wind beyond the close of heavy flowers,
    And through the music of the languid hours,
    They hear like ocean on a western beach
    The surge and thunder of the Odyssey.
    Andrew Lang (1844–1912)

    Then the American flag was saluted. In general, in the United States people always salute the American flag.
    Friedrich Dürrenmatt (1921–1990)

    Noble and wise men once believed in the music of the spheres: noble and wise men still continue to believe in the “moral significance of existence.” But one day even this sphere-music will no longer be audible to them! They will wake up and take note that their ears were dreaming.
    Friedrich Nietzsche (1844–1900)

    Through music the passions enjoy themselves.
    Friedrich Nietzsche (1844–1900)

    ... when we shall have our amendment to the Constitution of the United States, everyone will think it was always so, just exactly as many young people believe that all the privileges, all the freedom, all the enjoyments which woman now possesses were always hers. They have no idea of how every single inch of ground that she stands upon to-day has been gained by the hard work of some little handful of women of the past.
    Susan B. Anthony (1820–1906)

    Courage, then, for the end draws near! A few more years of persistent, faithful work and the women of the United States will be recognized as the legal equals of men.
    Mary A. Livermore (1821–1905)