Rock and Pop Music
See also: Dutch rockPioneers of Dutch rock were the so-called Indorock bands from the late 1950s, like The Tielman Brothers and the Blue Diamonds. They played rock guitar instrumentals when most of the Netherlands's youth had hardly heard of rock 'n' roll. They stemmed from the Indo community in The Hague and were pivotal in earning that city the title of Beatstad ('Beat city') in later years. With 60s bands like Golden Earring and Shocking Blue, and Kane and Anouk in the 1990s, The Hague became synonymous for mainstream rock. The Dutch normally referred to this as swag.
More progressive music emerged in the 1960s in Amsterdam. In 1964 (see 1964 in music), The Outsiders were the first Dutch psychedelic rock band to become successful. Well known was the 'Haagse Scene' - many of the popular bands of the 60s came from The Hague, such as Shocking Blue, which topped the US charts in 1970 with "Venus", Golden Earring, Q65, The Motions, Earth & Fire. Other representatives from this period: the Cats, Tee Set, Bintangs, Sandy Coast, Cuby & the Blizzards and Brainbox. George Baker acquired international fame with the songs Little Green Bag (1969), and "Una Paloma Blanca" (1975).
From the late 1960s the post war generation gained political influence. Many state subsidized rock venues opened all over the country. These clubs, like Amsterdam's Paradiso and Melkweg, were stepping stones for many alternative rock bands on their first European tour and the Dutch crowd stayed well informed about new British and American acts.
In the 1970s some artists stood out. Herman Brood became the ultimate Rock 'n Roll icon. He even scored a hit in the US with Saturday Night. He became the epitome of the "rock'n'roll junkie" he sang about. As an artist he was in the media until his suicide in 2001. Other bands from the 70s: Gruppo Sportivo, Massada, Vitesse, Solution, the Nits, Focus and still Golden Earring with their greatest hit ever: "Radar Love, also Top 10 in the US.
The late 70s and early 80s gave many one hit wonders and some bands that lasted longer. Girl groups Luv' and Dolly Dots but also disco bands Spargo and Time Bandits were most successful. Together with the Golden Earring, which scored some of their biggest hits with "Twilight Zone' and "When The Lady Smiles". The Nits developed a large audience outside the Netherlands, including Finland, Switzerland, Germany, France, Belgium, Greece and Canada and in 1989 were the first Dutch band to play in the (then still) Soviet Union. Urban Dance Squad was a cross-over band, combining hip-hop with funk and rock. The band's minor American success proved to be influential. Their music style (rapcore) influenced bands like Rage Against the Machine. Van Halen was created by Edward Van Halen who was of Dutch heritage.
The 1990s produced international hits like 2 Unlimited, 2 Brothers On The 4th Floor, and Vengaboys. However, the 1990s was also the start of the DJ-era. Ferry Corsten, DJ Tiƫsto, Armin van Buuren, DJ Jean and Bart Claessen started their careers in the 1990s and became the stars of their era.
Dutch bands in the 2000s are The Sheer, Naked Shepherd, Krezip, Di-rect and Johan.
Current pop acts include Esmee Denters, Anouk, Eva Simons, Ilse De Lange and DJ acts Don Diablo.
Read more about this topic: Music Of The Netherlands
Famous quotes containing the words rock and, rock, pop and/or music:
“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyangumumi, kiduo, or lele mama?”
—Julius K. Nyerere (b. 1922)
“Never before has a generation of parents faced such awesome competition with the mass media for their childrens attention. While parents tout the virtues of premarital virginity, drug-free living, nonviolent resolution of social conflict, or character over physical appearance, their values are daily challenged by television soaps, rock music lyrics, tabloid headlines, and movie scenes extolling the importance of physical appearance and conformity.”
—Marianne E. Neifert (20th century)
“Compare the history of the novel to that of rock n roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. Material Differences, Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Westminster Abbey is nature crystallized into a conventional form by man, with his sorrows, his joys, his failures, and his seeking for the Great Spirit. It is a frozen requiem, with a nations prayer ever in dumb music ascending.”
—M. E. W. Sherwood (18261903)