Music Of South Africa
The South African music scene includes both popular (jive) and folk forms. Pop styles are based on four major sources, Zulu isicathamiya singing and harmonic mbaqanga.
Christian missions provided the first organized musical training in the country, bringing to light many of the modern country's earliest musicians, including Enoch Sontonga, who wrote the national anthem Nkosi Sikelel' iAfrika. By the end of the nineteenth century, South African cities like Cape Town were large enough to attract foreign musicians, especially American ragtime players. African American spirituals were popularized in the 1890s by Orpheus McAdoo's Jubilee Singers.
Read more about Music Of South Africa: The 1960s, South African Music Today, Neo-traditional Styles
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“For I have learned
To look on nature, not as in the hour
Of thoughtless youth, but hearing oftentimes
The still, sad music of humanity.”
—William Wordsworth (1770–1850)
“Noble and wise men once believed in the music of the spheres: noble and wise men still continue to believe in the “moral significance of existence.” But one day even this sphere-music will no longer be audible to them! They will wake up and take note that their ears were dreaming.”
—Friedrich Nietzsche (1844–1900)
“The cloud was so dark that it needed all the bright lights that could be turned upon it. But for four years there was a contagion of nobility in the land, and the best blood North and South poured itself out a libation to propitiate the deities of Truth and Justice. The great sin of slavery was washed out, but at what a cost!”
—M. E. W. Sherwood (1826–1903)
“In Africa, there is much confusion.... Before, there was no radio, or other forms of communication.... Now, in Africa ... the government talks, people talk, the police talk, the people don’t know anymore. They aren’t free.”
—Youssou N’Dour (b. 1959)