Music History of The United States During The Colonial Era - European Professionals

European Professionals

In 1766, Charlestown, South Carolina became the home of the St. Cecilia Society, the first musical society in North America. At the time, Charleston was a cultural center, attracting a number of musicians from Europe. In the decades after the Revolution, more northern cities like Philadelphia, New York and Boston largely took Charleston's place. Philadelphia, home of the esteemed Alexander Reinagle, John Christopher Moller, Rayner Taylor and Susannah Haswell Rowson, was especially renowned for musical development. Reinagle became the most influential figure in Philadelphia's musical life, organizing a number of concerts, organizations and musical events.

The English singer Benjamin Carr was especially notable. He arrived in New York in 1793, along with his brother and father. They soon became prominent music publishers and vendors, owning stores in New York, Philadelphia and Baltimore. Carr himself was a composer, organist, pianist and a publisher and editor. They published, in Philadelphia, "The President's March" in 1793; written by Philip Phile, "The President's March" is one of the most enduring of American patriotic songs. The march was soon politicized, adopted by the Federalists as a rallying song.

The British James Hewitt was one of the most distinguished musicians of early American history. He was already renowned in London before moving across the Atlantic, accompanied by Belgian composer and violinist Jean Gehot. Hewitt became established in New York, organizing concerts and other musical events. His opera Tammany; or, The Indian Chief became controversial after its first performance. It was the first American opera to deal with Native Americans, and was sponsored by the New York Tammany Society, an anti-Federalist organization. Hewitt was the target of much invective from Federalists as a result.

The English organist, choirmaster and composer William Selby was a major figure in Boston's musical life, along with the Dutch organist, violinist and composer Peter Albrecht van Hagen and German oboist Johann Christian Gottlieb Graupner.

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    In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American—on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.
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