Effects of Identity On Musical Preferences
Psychologists generally accept the notion that nonclinical individual differences could be summarized according to five different dimensions. These dimensions are now known as the big five personality traits and include openness to new experiences, conscientiousness, extraversion, agreeableness, and neuroticism. Researchers interested in studying personality correlates with music preferences have focused on the big five and found significant correlations between popular music types and big five personality traits.
Read more about this topic: Music Cognition
Famous quotes containing the words effects of, effects, identity, musical and/or preferences:
“Some of the greatest and most lasting effects of genuine oratory have gone forth from secluded lecture desks into the hearts of quiet groups of students.”
—Woodrow Wilson (1856–1924)
“Whereas Freud was for the most part concerned with the morbid effects of unconscious repression, Jung was more interested in the manifestations of unconscious expression, first in the dream and eventually in all the more orderly products of religion and art and morals.”
—Lewis Mumford (1895–1990)
“Growing has no connection with audience. / Audience has no
connection with identity. / Identity has no
connection with a universe. / A universe has no
connection with human nature.”
—Gertrude Stein (1874–1946)
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“This is the great truth life has to teach us ... that gratification of our individual desires and expression of our personal preferences without consideration for their effect upon others brings in the end nothing but ruin and devastation.”
—Hortense Odlum (1892–?)