Renovation
MoMA's midtown location underwent extensive renovations in the early 2000s, closing on May 21, 2002 and reopening to the public in a building redesigned by the Japanese architect Yoshio Taniguchi along with Kohn Pedersen Fox, on November 20, 2004. From June 29, 2002 until September 27, 2004, a portion of its collection was on display in what was dubbed MoMA QNS, a former Swingline staple factory in Long Island City, Queens.
The expansion, including an increase in MoMA’s endowment to cover operating expenses, cost $858 million in total. The project nearly doubled the space for MoMA's exhibitions and programs and features 630,000 square feet (59,000 m2) of new and redesigned space. The Peggy and David Rockefeller Building on the western portion of the site houses the main exhibition galleries, and The Lewis B. and Dorothy Cullman Education and Research Building on the eastern portion provides over five times more space for classrooms, auditoriums, teacher training workshops, and the museum's expanded Library and Archives. These two buildings frame the enlarged Abby Aldrich Rockefeller Sculpture Garden.
The architecture of the renovation is controversial. At its opening, some critics thought that Taniguchi's design was a fine example of contemporary architecture, while many others were extremely displeased with certain aspects of the design, such as the flow of the space.
Museum of Modern Art is selling its last vacant parcel of land in Midtown for $125 million to Hines, an international real estate developer based in Houston.
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Famous quotes containing the word renovation:
“Forgetfulness is necessary to remembrance. Ideas are retained by renovation of that impression which time is always wearing away, and which new images are striving to obliterate. If useless thoughts could be expelled from the mind, all the valuable parts of our knowledge would more frequently recur, and every recurrence would reinstate them in their former place.”
—Samuel Johnson (17091784)
“Postmodernity is the simultaneity of the destruction of earlier values and their reconstruction. It is renovation within ruination.”
—Jean Baudrillard (b. 1929)