Personal Life
In addition to economics, history, and philosophy, Rothbard took an intense personal interest in chess, German Baroque church architecture, and early jazz, among other subjects. Rothbard criticized the "degeneration" of jazz and popular song into bebop and rock music.
Although Rothbard's views towards religion were sympathetic, he was an atheist.
In his film reviews (printed under the pen name "Mr. First Nighter"), Rothbard criticized "slow, ponderous, boring" films which "reek of pretension and deliberate boredom," such as Juliet of the Spirits and The Piano. He generally praised films that represented "Old Culture" values which he felt were exemplified by the James Bond franchise: "marvelous plot, exciting action, hero vs. villains, spy plots, crisp dialogue and the frank enjoyment of bourgeois luxury and fascinating technological gadgets."
Rothbard enjoyed action movies such as The Fugitive and Hollywood films of the 1930s and 1940s, and praised Woody Allen's wit. He disliked Star Wars, "such a silly, cartoony, comic-strip movie that no one can possibly take it seriously," and 2001: A Space Odyssey, a "pretentious, mystical, boring, plotless piece of claptrap," calling for a return to science fiction films like It Came from Outer Space and "the incomparable Invasion of the Body Snatchers."
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Famous quotes containing the words personal life, personal and/or life:
“Wherever the State touches the personal life of the infant, the child, the youth, or the aged, helpless, defective in mind, body or moral nature, there the State enters “woman’s peculiar sphere,” her sphere of motherly succor and training, her sphere of sympathetic and self-sacrificing ministration to individual lives.”
—Anna Garlin Spencer (1851–1931)
“A man who has nothing which he cares about more than he does about his personal safety is a miserable creature who has no chance of being free, unless made and kept so by the existing of better men than himself.”
—John Stuart Mill (1806–1873)
“The true colour of life is the colour of the body, the colour of the covered red, the implicit and not explicit red of the living heart and the pulses. It is the modest colour of the unpublished blood.”
—Alice Meynell (1847–1922)