Life and Work
Ball grew up in New Zealand before spending some years in Australia and South Africa, where he attended Parktown Boys' High School and finished his education. As a young man he worked for the Dominion newspaper in Wellington and the Manawatu Times before becoming a freelance cartoonist and moving to England, where he found work with publishers DC Thomson, of Dundee.
He developed his character Stanley and had it published in the influential English humour-magazine Punch. Stanley the Palaeolithic Hero featured a caveman who wore glasses and struggled with the Neolithic environment. It became the longest-running strip in Punch's history, and other English and non-English speaking countries syndicated it. Ball continued to contribute to Punch after returning with his family to New Zealand.
Ball's early cartoons often had political overtones (his mid-70s UK strips included All the King's Comrades, and he described himself in the introduction to The Sisterhood (1993) as a socialist. Stanley often expresses left-wing attitudes).
Ball lives with his wife Pam on a rural property in Gisborne, New Zealand.
His father was All Black Nelson Ball.
Read more about this topic: Murray Ball
Famous quotes containing the words life and, life and/or work:
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“Not less are summer-mornings dear
To every child they wake,
And each with novel life his sphere
Fills for his proper sake.”
—Ralph Waldo Emerson (1803–1882)
“The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same.”
—Clive James (b. 1939)