Multiple Choice - Structure

Structure

Multiple choice items consist of a stem and a set of options. The stem is the beginning part of the item that presents the item as a problem to be solved, a question asked of the respondent, or an incomplete statement to be completed, as well as any other relevant information. The options are the possible answers that the examiner can choose from, with the correct answer called the key and the incorrect answers called distractors. Only one answer can be keyed as correct. This contrasts with multiple response items in which more than one answer may be keyed as correct.

Usually, a correct answer earns a set number of points toward the total mark, and an incorrect answer earns nothing. However, tests may also award partial credit for unanswered questions or penalize students for incorrect answers, to discourage guessing. For example, the SAT removes a quarter point from the test taker's score for an incorrect answer.

For advanced items, such as an applied knowledge item, the stem can consist of multiple parts. The stem can include extended or ancillary material such as a vignette, a case study, a graph, a table, or a detailed description which has multiple elements to it. Anything may be included as long it is necessary to ensure the utmost validity and authenticity to the item. The stem ends with a lead-in question explaining how the respondent must answer. In a medical multiple choice items, a lead-in question may ask "What is the most likely diagnosis?" or "What pathogen is the most likely cause?" in reference to a case study that was previously presented.

Read more about this topic:  Multiple Choice

Famous quotes containing the word structure:

    Just as a new scientific discovery manifests something that was already latent in the order of nature, and at the same time is logically related to the total structure of the existing science, so the new poem manifests something that was already latent in the order of words.
    Northrop Frye (b. 1912)

    A structure becomes architectural, and not sculptural, when its elements no longer have their justification in nature.
    Guillaume Apollinaire (1880–1918)

    Who says that fictions only and false hair
    Become a verse? Is there in truth no beauty?
    Is all good structure in a winding stair?
    May no lines pass, except they do their duty
    Not to a true, but painted chair?
    George Herbert (1593–1633)