Mstislav Rostropovich - First Concerts

First Concerts

Rostropovich gave his first cello concert in 1942. He won first prize at the international Music Awards of Prague and Budapest in 1947, 1949 and 1950. In 1950, at the age of 23 he was awarded what was then considered the highest distinction in the Soviet Union, the Stalin Prize. At that time, Rostropovich was already well known in his country and while actively pursuing his solo career, he taught at the Leningrad (Saint-Petersburg) Conservatory and the Moscow Conservatory. In 1955, he married Galina Vishnevskaya, a leading soprano at the Bolshoi Theatre.

Rostropovich had working relationships with Soviet composers of the era. In 1949 Sergei Prokofiev wrote his Cello Sonata in C, Op. 119, for the 22-year old Rostropovich, who gave the first performance in 1950, with Sviatoslav Richter. Prokofiev also dedicated his Sinfonia Concertante for cello to him; this was premiered in 1952. Rostropovich and Dmitry Kabalevsky completed Prokofiev's Cello Concertino after the composer's death. Dmitri Shostakovich wrote both his first and second cello concertos for Rostropovich, who also gave their first performances.

His international career started in 1963 in the Conservatoire of Liège (with Kirill Kondrashin) and in 1964 in West Germany. Rostropovich went on several tours in Western Europe and met several composers, including Benjamin Britten. Britten dedicated his Cello Sonata, three Solo Suites, and his Cello Symphony to Rostropovich, who gave their first performances, and the two had an obviously special affinity - Rostropovich's family described him as "always smiling" when discussing "Ben", and on his death bed he was said to have expressed no fear as he and Britten would, he believed, be reunited in Heaven. Britten was also renowned as a piano accompanist and together they recorded, among other works, Schubert's Sonata for Arpeggione and Piano in A minor D.821. Even on his deathbed his daughter claimed that this recording moved her father to tears of joy.

Rostropovich took private lessons in conducting with Leo Ginzburg, and first conducted in public in Gorky in November 1962, performing the four entractes from Lady Macbeth of the Mtsensk District and Shostakovich's orchestration of Mussorgsky's Songs and Dances of Death with Vishnevskaya singing. In 1967, at the invitation of the Bolshoi Theatre's director Mikhail Chulaki, he conducted Tchaikovsky's opera Eugene Onegin at the Bolshoi, thus letting forth his passion for both the role of conductor and the opera.