Character in The Radio Program
From May to October 1951, the NBC Broadcasting network produced and aired 23 half-hour episodes starring James Monk as Mr. I.A. Moto, International Secret Agent. Mr. Moto is an American of Japanese descent born in San Francisco but still retaining his international connections.
The show focused on Mr. Moto’s fight against Communism although occasionally he also solved more mundane mysteries such as murder and blackmail.
Read more about this topic: Mr. Moto
Famous quotes containing the words radio program, character in, character, radio and/or program:
“England has the most sordid literary scene I’ve ever seen. They all meet in the same pub. This guy’s writing a foreword for this person. They all have to give radio programs, they have to do all this just in order to scrape by. They’re all scratching each other’s backs.”
—William Burroughs (b. 1914)
“Innocence is lovely in the child, because in harmony with its nature; but our path in life is not backward but onward, and virtue can never be the offspring of mere innocence. If we are to progress in the knowledge of good, we must also progress in the knowledge of evil. Every experience of evil brings its own temptation and according to the degree in which the evil is recognized and the temptations resisted, will be the value of the character into which the individual will develop.”
—Mrs. H. O. Ward (1824–1899)
“To keep your character intact you cannot stoop to filthy acts. It makes it easier to stoop the next time.”
—Katharine Hepburn (b. 1909)
“The radio ... goes on early in the morning and is listened to at all hours of the day, until nine, ten and often eleven o’clock in the evening. This is certainly a sign that the grown-ups have infinite patience, but it also means that the power of absorption of their brains is pretty limited, with exceptions, of course—I don’t want to hurt anyone’s feelings. One or two news bulletins would be ample per day! But the old geese, well—I’ve said my piece!”
—Anne Frank (1929–1945)
“The square dance fiddler’s first concern is to carry a tune, but he must carry it loud enough to be heard over the noise of stamping feet, the cries of the “caller,” and the shouts of the dancers. When he fiddles, he “fiddles all over”; feet, hands, knees, head, and eyes are all busy.”
—State of Oklahoma, U.S. public relief program (1935-1943)