Production
Originally, Frank Capra intended to make Lost Horizon after Broadway Bill (1934), but lead actor Ronald Colman couldn't get out of his other filming commitments. So Capra began adapting Mr. Deeds Goes to Town. The two main cast members, Gary Cooper as Longfellow Deeds and Jean Arthur as Louise "Babe" Bennett/Mary Dawson, were cast as production began. Capra's "first, last and only choice" for the pivotal role of the eccentric Longfellow Deeds was Gary Cooper. Due to his other film commitments, production was delayed six months before Cooper was available, incurring costs of $100,000 for the delay in filming.
Arthur was not the first choice for the role, but Carole Lombard, the original female lead, "ankled" the film just three days before principal photography, in favor of a starring role in My Man Godfrey. The first scenes shot on the Fox Studios' New England street "lot" were in place before Capra "discovered" his heroine in a rush screening. The opening sequences had to be reshot when Capra decided against the "broad" comedy approach that had originally been written.
Despite his penchant for coming in "under budget," Capra spent an additional five shooting days in multiple takes, testing angles and "new" perspectives, treating the production as a type of workshop exercise. Due to the increased shooting schedule, the film came in at $38,936.00 more than the Columbia budget for a total of $806,774.00. Throughout the pre-production and the early principal photography, the project still retained Kelland's original title, Opera Hat, although Capra tried out some other titles including A Gentleman Goes to Town and Cinderella Man before settling on a name that was the winning entry in a contest held by the Columbia Pictures publicity department.
Read more about this topic: Mr. Deeds Goes To Town
Famous quotes containing the word production:
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)