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Moving panoramas (or sometimes moving dioramas) often recreated grand ceremonies. In Philadelphia in 1811 nearly 1,300 feet (400 m) of painted cloth were unwound to display the federal procession of 1788, and George IV's coronation in London was treated as a "Grand Historical Peristrephic Panorama" by the Marshall brothers. Exotic landscapes and travel were popular themes, particularly trips to India, New Zealand, and the Arctic regions. Banvard's enormous Mississippi River panorama was shown on both sides of the Atlantic and a moving panorama of "Romantic and Picturesque Scenery in the Environs of Hobart Town" taken to London in 1839 allowed people in England to get an impression of Australia. A narrator explained the scenes passing in front of the audience and music played. In the United States, moving panoramas were popular throughout the 1850s and 1860s, with multiple touring shows operated by proprietors such as Edwin Beale, T.K. Treadwell, and George K. Goodwin; among the more popular subjects were the Arctic regions, major cities such as New York, and Niagara Falls.
Peter Grain's Panorama of the Hudson and James Rivers - Scenes in Virginia, painted in oil and watercolor, was exhibited at the San Francisco Hall in San Francisco in March 1853, concluding a tour of cities across the United States. The work covered 9,400 feet of canvas.
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