Moving Frame - Method of The Moving Frame

Method of The Moving Frame

Cartan (1937) formulated the general definition of a moving frame and the method of the moving frame, as elaborated by Weyl (1938). The elements of the theory are

  • A Lie group G.
  • A Klein space X whose group of geometric automorphisms is G.
  • A smooth manifold Σ which serves as a space of (generalized) coordinates for X.
  • A collection of frames ƒ each of which determines a coordinate function from X to Σ (the precise nature of the frame is left vague in the general axiomatization).

The following axioms are then assumed to hold between these elements:

  • There is a free and transitive group action of G on the collection of frames: it is a principal homogeneous space for G. In particular, for any pair of frames ƒ and ƒ′, there is a unique transition of frame (ƒ→ƒ′) in G determined by the requirement (ƒ→ƒ′)ƒ = ƒ′.
  • Given a frame ƒ and a point AX, there is associated a point x = (A,ƒ) belonging to Σ. This mapping determined by the frame ƒ is a bijection from the points of X to those of Σ. This bijection is compatible with the law of composition of frames in the sense that the coordinate x′ of the point A in a different frame ƒ′ arises from (A,ƒ) by application of the transformation (ƒ→ƒ′). That is,

Of interest to the method are parameterized submanifolds of X. The considerations are largely local, so the parameter domain is taken to be an open subset of Rλ. Slightly different techniques apply depending on whether one is interested in the submanifold along with its parameterization, or the submanifold up to reparameterization.

Read more about this topic:  Moving Frame

Famous quotes containing the words method of, method, moving and/or frame:

    Steady labor with the hands, which engrosses the attention also, is unquestionably the best method of removing palaver and sentimentality out of one’s style, both of speaking and writing.
    Henry David Thoreau (1817–1862)

    Women are denied masturbation even more severely than men and that’s another method of control—they’re not taught to please themselves.... Most women—it takes them a while to warm up to the “situation” but once they get into it, I’m sure they’re going to get just as hooked as—well, everyone I know is!
    Lydia Lunch (b. 1959)

    I love eulogies. They are the most moving kind of speech because they attempt to pluck meaning from the fog, and on short order, when the emotions are still ragged and raw and susceptible to leaps.
    Peggy Noonan (b. 1950)

    Human life itself may be almost pure chaos, but the work of the artist—the only thing he’s good for—is to take these handfuls of confusion and disparate things, things that seem to be irreconcilable, and put them together in a frame to give them some kind of shape and meaning. Even if it’s only his view of a meaning. That’s what he’s for—to give his view of life.
    Katherine Anne Porter (1890–1980)