Publishing Career
Moto Hagio made her professional debut in 1969 at the age of 20 with her short story "Lulu to Mimi" in Nakayoshi. Nakayoshi's publisher Kodansha wanted "bright and lively" works, and rival publisher Shogakukan sought her out. Keiko Takemiya introduced Hagio to Takemiya's editor, Junya Yamamoto, who accepted all of Hagio's works that Kodansha had rejected. When Hagio began drawing manga, she cut large sheets of "manga paper" to B4 size, and she still uses a G-Pen and a Maru-Pen. When she began drawing manga, she used India ink and a brush, but now uses Copic markers. Later, for Shogakukan Publishing, she produced a series of short stories for various magazines. Two years after her debut, she published Juichigatsu no Gimunajiumu 11月のギムナジウム (The November Gymnasium), a short story that dealt openly with love between two boys at a boarding school. The story was part of a larger movement by female manga artists at the time that pioneered shōnen-ai, a genre of girls' comics about love between young men. In 1974, Hagio developed this story into the longer Thomas no Shinzō (The Heart of Thomas). She was awarded the Shogakukan Manga Award in 1976 for her science fiction classic Juichinin Iru! (They Were Eleven) and her epic tale Poe no Ichizoku (The Poe Family). In the mid 1980s, Hagio wrote her first long work - Marginal. Prior to writing Iguana Girl in 1991, Hagio had not set her works in contemporary Japan. Moto Hagio had a role in the 2008 film Domomata no Shi (Death of Domomata). On June 11, 2009, a party was held in Moto Hagio's honor, "celebrating her 40th year as a professional manga artist". Approximately 200 people attended. In 2011, Joshibi University of Art and Design appointed Hagio as a guest professor.
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