Comparison
A comparison of currently active film rating systems, showing age on the horizontal axis. Note however that the specific criteria used in assigning a classification can vary widely from one country to another. Thus a color code or age range cannot be directly compared from one country to another.
Country/System | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Adult | Other | Notes |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Atp | 13 | 16 | 18 | N/A | |||||||||||||||||
ACB | G | PG | M | MA15+ | R18+ | X18+ | RC | ||||||||||||||
MJ/DEJUS | L | 10 | 12 | 14 | 16 | 18 | N/A | ||||||||||||||
KT/EA | KNT/ENA | E | |||||||||||||||||||
A | B | C | D | X | F | ||||||||||||||||
CHVRS and MFCB | G | PG | 14A/18A | R | E | ||||||||||||||||
Adult | |||||||||||||||||||||
MoC | T | 7 | 12 | 15 | 18/X | Banned | |||||||||||||||
U | 12 | 15 | 18 | N/A | |||||||||||||||||
Medierådet | A | 7 | 11 | 15 | F | ||||||||||||||||
General Audience (Unrestricted) | Adult (Restricted) | N/A | |||||||||||||||||||
PERE | L | MS-6 | K-12 | K-14 | K-16 | N/A | |||||||||||||||
MS-12 | |||||||||||||||||||||
FBFC | S | K-7 | K-12 | K-16 | K-18 | N/A | |||||||||||||||
Country/System | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Adult | Other | Notes |
MoC | U | -10 | -12 | -16 | -18 | N/A | |||||||||||||||
FSK | FSK 0 | FSK 6 | FSK 12 | FSK 16 | FSK 18 | N/A | |||||||||||||||
K | K-13 | K-17 | N/A | ||||||||||||||||||
TELA | I | IIA | IIB | III | N/A | ||||||||||||||||
NMHH | KN | 6 | 12 | 16 | 18 | X | N/A | ||||||||||||||
Smáís | L | 7 | 12 | 14 | 16 | 18 | N/A | ||||||||||||||
CBFC | U | UA | A | S | |||||||||||||||||
IFCB | A/SU | BO-A | BO | BO-R/R | D | N/A | |||||||||||||||
IFCO | G | 12/12A | 18 | N/A | |||||||||||||||||
PG | |||||||||||||||||||||
MiBAC | T | VM14 | VM18 | N/A | |||||||||||||||||
Eirin | G | PG-12 | R15+ | R18+ | N/A | ||||||||||||||||
Country/System | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Adult | Other | Notes |
К | Б14 | Е16 | Е16 (16+) | Е18 | НА | N/A | |||||||||||||||
БА | |||||||||||||||||||||
ALL | 12 | 15 | 18 | Restricted Rating | |||||||||||||||||
NCC | U | 7+ | 12+ | 16+ | 18+ | N/A | |||||||||||||||
Film Censorship Board | C/U | P13 | 18 | Banned | |||||||||||||||||
NBC | G | PG | 12+ | 15+ | PU | ||||||||||||||||
RTC | AA | A | B | B-15 | C | D | N/A | ||||||||||||||
Kijkwijzer | AL | 6 | 9 | 12 | 16 | N/A | |||||||||||||||
OFLCNZ | G | PG | R13/R15/R16 | R18 | N/A | ||||||||||||||||
M | |||||||||||||||||||||
NFaVCB | G | PG | 12/12A | 15 | 18 | N/A | |||||||||||||||
A | 7 | 11 | 15 | 18 | N/A | ||||||||||||||||
Apt | 14 | 18 | N/A | ||||||||||||||||||
MTRCB | GP | R-13 | R-16 | R-18 | X | ||||||||||||||||
PG-13 | |||||||||||||||||||||
KRRiT | BO | 7 | 12 | 15 | 18A | 18 | N/A | ||||||||||||||
Country/System | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Adult | Other | Notes |
CCE | M/4 | M/6 | M/12 | M/16 | M/18 | N/A | |||||||||||||||
MoC | 0+ | 6+ | 12+ | 14+ | 16+ | 18+ | Banned | ||||||||||||||
MDA | G | PG/PG13 | NC16 | M18 | R21 | N/A | |||||||||||||||
FaPB | G | PG | 13 | 16 | R18/X18 | N/A | |||||||||||||||
Statens medieråd | Btl | 7 | 11 | 15 (Unrated) |
N/A | ||||||||||||||||
GIO | 普 (General) |
護 (Protect) |
輔 (Counsel) |
限 (Restrict) |
N/A | ||||||||||||||||
P/G | 13+ | 15+ | 18+ | 20+ | Banned | ||||||||||||||||
BBFC | U | PG | 12\12A | 15 | 18\R18 | Rejected | |||||||||||||||
MPAA | G | PG | PG-13 | R | NC-17 | NR (Not Rated) Unrated |
|||||||||||||||
FAB | C/F | PD | PD-M | EM | AO | N/A | |||||||||||||||
CAC | G | PG | 12 | 16 | 18 | 21 | |||||||||||||||
CHVRS (1994–2005) | G | PG/DP | 14 | 18 | XXX | NA (Not Approved) | |||||||||||||||
Country/System | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | Adult | Other | Notes |
Read more about this topic: Motion Picture Rating System
Famous quotes containing the word comparison:
“Most parents arent even aware of how often they compare their children. . . . Comparisons carry the suggestion that specific conditions exist for parental love and acceptance. Thus, even when one child comes out on top in a comparison she is left feeling uneasy about the tenuousness of her position and the possibility of faring less well in the next comparison.”
—Marianne E. Neifert (20th century)
“Clay answered the petition by declaring that while he looked on the institution of slavery as an evil, it was nothing in comparison with the far greater evil which would inevitably flow from a sudden and indiscriminate emancipation.”
—State of Indiana, U.S. public relief program (1935-1943)
“Certainly there is not the fight recorded in Concord history, at least, if in the history of America, that will bear a moments comparison with this, whether for the numbers engaged in it, or for the patriotism and heroism displayed.”
—Henry David Thoreau (18171862)