The Motion Picture Production Code was the set of industry moral censorship guidelines that governed the production of most United States motion pictures released by major studios from 1930 to 1968. It is also popularly known as the Hays Code, after Hollywood's chief censor of the time, Will H. Hays. The Motion Pictures Producers and Distributors of America (MPPDA), which later became the Motion Picture Association of America (MPAA), adopted the code in 1930, began enforcing it in 1934, and abandoned it in 1968, in favor of the subsequent MPAA film rating system. The Production Code spelled out what was acceptable and what was unacceptable content for motion pictures produced for a public audience in the United States. The office enforcing it was popularly called the Hays Office in reference to Hays, inaccurately so after 1934 when Joseph Breen took over from Hays, creating the Breen Office, which was far more rigid in censoring films than Hays had been.
Read more about Motion Picture Production Code: Background, The Don'ts and Be Carefuls, Creation of The Code and Its Contents, After The Code
Famous quotes containing the words motion picture, motion, picture, production and/or code:
“Too many Broadway actors in motion pictures lost their grip on successhad a feeling that none of it had ever happened on that sun-drenched coast, that the coast itself did not exist, there was no California. It had dropped away like a hasty dream and nothing could ever have been like the things they thought they remembered.”
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“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
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“Poetry, and Picture, are Arts of a like nature; and both are busie about imitation. It was excellently said of Plutarch, Poetry was a speaking Picture, and Picture a mute Poesie. For they both invent, faine, and devise many things, and accommodate all they invent to the use, and service of nature. Yet of the two, the Pen is more noble, than the Pencill. For that can speake to the Understanding; the other, but to the Sense.”
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—Emma Goldman (18691940)
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—Ralph Waldo Emerson (18031882)