Motion Picture Patents Company

The Motion Picture Patents Company (MPPC, also known as the Edison Trust), founded in December 1908, was a trust of all the major American film companies (Edison, Biograph, Vitagraph, Essanay, Selig, Lubin, Kalem, Star Film Company, American Pathé), the leading film distributor (George Kleine) and the biggest supplier of raw film stock, Eastman Kodak. The MPPC ended the domination of foreign films on American screens, standardized the manner in which films were distributed and exhibited in America, and improved the quality of American motion pictures by internal competition. But it also discouraged its members' entry into feature film production, and the use of outside financing, both to its members' eventual detriment.

Read more about Motion Picture Patents Company:  Creation, Policies, Backlash and Decline

Famous quotes containing the words motion picture, motion, picture and/or company:

    The motion picture made in Hollywood, if it is to create art at all, must do so within such strangling limitations of subject and treatment that it is a blind wonder it ever achieves any distinction beyond the purely mechanical slickness of a glass and chromium bathroom.
    Raymond Chandler (1888–1959)

    subways, rivered under streets
    and rivers . . . in the car
    the overtone of motion
    underground, the monotone
    of motion is the sound
    of other faces, also underground—
    Hart Crane (1899–1932)

    The real trouble about women is that they must always go on trying to adapt themselves to men’s theories of women, as they always have done. When a woman is thoroughly herself, she is being what her type of man wants her to be. When a woman is hysterical it’s because she doesn’t quite know what to be, which pattern to follow, which man’s picture of woman to live up to.
    —D.H. (David Herbert)

    The old idea that the joke was not good enough for the company has been superseded by the new aristocratic idea that the company was not worthy of the joke. They have introduced an almost insane individualism into that one form of intercourse which is specially and uproariously communal. They have made even levities into secrets. They have made laughter lonelier than tears.
    Gilbert Keith Chesterton (1874–1936)