Motion Picture Association of America Film Rating System

Motion Picture Association Of America Film Rating System

The Motion Picture Association of America's film-rating system is used in the U.S. and its territories to rate a film's thematic and content suitability for certain audiences. The MPAA rating scheme applies only to films submitted for rating. The MPAA rating system is a voluntary scheme not enforced by law; and films can be exhibited without a rating, though many theaters refuse to exhibit non-rated or X-rated films. Non-members of MPAA may also submit films for rating. Other media (such as television programs and video games) may be rated by other entities. The MPAA rating system is one of various motion picture rating systems used to help parents decide what films are appropriate for their children.

In the United States, the MPAA rating scheme is the most-recognized guide for parents regarding the content of films and each rating has been trademarked by MPAA so that they cannot be used by other organizations. The MPAA system has been criticized for the secrecy of its decisions as well as for perceived inconsistencies.

The MPAA's rating system is administered by the Classification & Ratings Administration (CARA), which is not a government agency. MPAA ratings serve primarily as a consumer suggestion by a group of corporate analysts. After screening films, their personal opinions are used to arrive at one of five ratings. Theater owners voluntarily agree to enforce corporate film ratings as determined by the MPAA, which in turn facilitates their access to new film releases.

Films are often released with different versions and different ratings, as versions that may be unprofitable in theaters may have better success in the home entertainment market (see "Commercial viability of the NC-17 rating" below).

Read more about Motion Picture Association Of America Film Rating System:  Ratings, Advertising Materials, Effects of Ratings, Alternative Systems

Famous quotes containing the words motion, picture, association, america, film and/or system:

    The motion picture made in Hollywood, if it is to create art at all, must do so within such strangling limitations of subject and treatment that it is a blind wonder it ever achieves any distinction beyond the purely mechanical slickness of a glass and chromium bathroom.
    Raymond Chandler (1888–1959)

    With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.
    Henry David Thoreau (1817–1862)

    With all their faults, trade-unions have done more for humanity than any other organization of men that ever existed. They have done more for decency, for honesty, for education, for the betterment of the race, for the developing of character in man, than any other association of men.
    Clarence Darrow (1857–1938)

    The immense popularity of American movies abroad demonstrates that Europe is the unfinished negative of which America is the proof.
    Mary McCarthy (1912–1989)

    Perhaps our eyes are merely a blank film which is taken from us after our deaths to be developed elsewhere and screened as our life story in some infernal cinema or despatched as microfilm into the sidereal void.
    Jean Baudrillard (b. 1929)

    [Madness] is the jail we could all end up in. And we know it. And watch our step. For a lifetime. We behave. A fantastic and entire system of social control, by the threat of example as effective over the general population as detention centers in dictatorships, the image of the madhouse floats through every mind for the course of its lifetime.
    Kate Millett (b. 1934)