Motion Picture Association Of America Film Rating System
The Motion Picture Association of America's film-rating system is used in the U.S. and its territories to rate a film's thematic and content suitability for certain audiences. The MPAA rating scheme applies only to films submitted for rating. The MPAA rating system is a voluntary scheme not enforced by law; and films can be exhibited without a rating, though many theaters refuse to exhibit non-rated or X-rated films. Non-members of MPAA may also submit films for rating. Other media (such as television programs and video games) may be rated by other entities. The MPAA rating system is one of various motion picture rating systems used to help parents decide what films are appropriate for their children.
In the United States, the MPAA rating scheme is the most-recognized guide for parents regarding the content of films and each rating has been trademarked by MPAA so that they cannot be used by other organizations. The MPAA system has been criticized for the secrecy of its decisions as well as for perceived inconsistencies.
The MPAA's rating system is administered by the Classification & Ratings Administration (CARA), which is not a government agency. MPAA ratings serve primarily as a consumer suggestion by a group of corporate analysts. After screening films, their personal opinions are used to arrive at one of five ratings. Theater owners voluntarily agree to enforce corporate film ratings as determined by the MPAA, which in turn facilitates their access to new film releases.
Films are often released with different versions and different ratings, as versions that may be unprofitable in theaters may have better success in the home entertainment market (see "Commercial viability of the NC-17 rating" below).
Read more about Motion Picture Association Of America Film Rating System: Ratings, Advertising Materials, Effects of Ratings, Alternative Systems
Famous quotes containing the words motion, picture, association, america, film and/or system:
“When desire, having rejected reason and overpowered judgment which leads to right, is set in the direction of the pleasure which beauty can inspire, and when again under the influence of its kindred desires it is moved with violent motion towards the beauty of corporeal forms, it acquires a surname from this very violent motion, and is called love.”
—Socrates (469399 B.C.)
“But what now grips his fancy is her face,
And how the cunning picture holds her still
At just that smiling instant when her soul,
Grown sweetly faint, and swept beyond control,
Consents to his inexorable will.”
—Richard Wilbur (b. 1921)
“The spiritual kinship between Lincoln and Whitman was founded upon their Americanism, their essential Westernism. Whitman had grown up without much formal education; Lincoln had scarcely any education. One had become the notable poet of the day; one the orator of the Gettsyburg Address. It was inevitable that Whitman as a poet should turn with a feeling of kinship to Lincoln, and even without any association or contact feel that Lincoln was his.”
—Edgar Lee Masters (18691950)
“In other countries, art and literature are left to a lot of shabby bums living in attics and feeding on booze and spaghetti, but in America the successful writer or picture-painter is indistinguishable from any other decent businessman.”
—Sinclair Lewis (18851951)
“[Film noir] experiences periodic rebirth and rediscovery. Whenever we have any moment of deep societal rift or disruption in America, one of the ways we can express it is through the ideas and behavior in film noir.”
—John Briley (b. 1925)
“Society cannot share a common communication system so long as it is split into warring factions.”
—Bertolt Brecht (18981956)