Motion Picture Association Of America Film Rating System
The Motion Picture Association of America's film-rating system is used in the U.S. and its territories to rate a film's thematic and content suitability for certain audiences. The MPAA rating scheme applies only to films submitted for rating. The MPAA rating system is a voluntary scheme not enforced by law; and films can be exhibited without a rating, though many theaters refuse to exhibit non-rated or X-rated films. Non-members of MPAA may also submit films for rating. Other media (such as television programs and video games) may be rated by other entities. The MPAA rating system is one of various motion picture rating systems used to help parents decide what films are appropriate for their children.
In the United States, the MPAA rating scheme is the most-recognized guide for parents regarding the content of films and each rating has been trademarked by MPAA so that they cannot be used by other organizations. The MPAA system has been criticized for the secrecy of its decisions as well as for perceived inconsistencies.
The MPAA's rating system is administered by the Classification & Ratings Administration (CARA), which is not a government agency. MPAA ratings serve primarily as a consumer suggestion by a group of corporate analysts. After screening films, their personal opinions are used to arrive at one of five ratings. Theater owners voluntarily agree to enforce corporate film ratings as determined by the MPAA, which in turn facilitates their access to new film releases.
Films are often released with different versions and different ratings, as versions that may be unprofitable in theaters may have better success in the home entertainment market (see "Commercial viability of the NC-17 rating" below).
Read more about Motion Picture Association Of America Film Rating System: Ratings, Advertising Materials, Effects of Ratings, Alternative Systems
Famous quotes containing the words motion picture, motion, picture, association, america, film and/or system:
“Too many Broadway actors in motion pictures lost their grip on success—had a feeling that none of it had ever happened on that sun-drenched coast, that the coast itself did not exist, there was no California. It had dropped away like a hasty dream and nothing could ever have been like the things they thought they remembered.”
—Mae West (1892–1980)
“I have seen in this revolution a circular motion of the sovereign power through two usurpers, father and son, to the late King to this his son. For ... it moved from King Charles I to the Long Parliament; from thence to the Rump; from the Rump to Oliver Cromwell; and then back again from Richard Cromwell to the Rump; then to the Long Parliament; and thence to King Charles, where long may it remain.”
—Thomas Hobbes (1579–1688)
“It’s God.
I’d know Him by Blake’s picture anywhere.
Now what’s He doing?”
—Robert Frost (1874–1963)
“They that have grown old in a single state are generally found to be morose, fretful and captious; tenacious of their own practices and maxims; soon offended by contradiction or negligence; and impatient of any association but with those that will watch their nod, and submit themselves to unlimited authority.”
—Samuel Johnson (1709–1784)
“Humanity from the first has had its vultures and sharks, and representatives of the fraternity who prey upon mankind may be expected no less in America than elsewhere. That this virulence breaks out most readily and commonly against colored persons in this country, is due of course to the fact that they are, generally speaking, weak and can be imposed upon with impunity. Bullies are always cowards at heart ...”
—Anna Julia Cooper (1859–1964)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“In nothing was slavery so savage and relentless as in its attempted destruction of the family instincts of the Negro race in America. Individuals, not families; shelters, not homes; herding, not marriages, were the cardinal sins in that system of horrors.”
—Fannie Barrier Williams (1855–1944)