Morris Dance

Morris dance is a form of English folk dance usually accompanied by music. It is based on rhythmic stepping and the execution of choreographed figures by a group of dancers, usually wearing bell pads on their shins. Implements such as sticks, swords and handkerchiefs may also be wielded by the dancers. In a small number of dances for one or two men, steps are performed near and across a pair of clay tobacco pipes laid across each other on the floor.

Claims that English records dating back to 1448 mention the morris dance are open to dispute. There is no mention of "morris" dancing earlier than the late 15th century, although early records such as Bishops' "Visitation Articles" mention sword dancing, guising and other dancing activities as well as mumming plays. Furthermore, the earliest records invariably mention "Morys" in a court setting, and both men and women are mentioned as dancing, and a little later in the Lord Mayors' Processions in London. It is only later that it begins to be mentioned as something performed in the parishes. There is certainly no evidence that it is a pre-Christian ritual, as is often claimed.

In modern day, it is commonly thought of as a mainly English activity, although there are around 150 morris sides (or teams) in the United States. British expatriates form a larger part of the morris tradition in Australia, Canada, New Zealand and Hong Kong. There are isolated groups in other countries, for example those in Utrecht and Helmond, Netherlands; the Arctic Morris Group of Helsinki, Finland and Stockholm, Sweden; as well as in Cyprus; and Alsace, France.

Read more about Morris Dance:  Name and Origins, History in England, Styles, Music, Terminology, Modern Dance, Evolution, Namesakes

Famous quotes containing the words morris and/or dance:

    If you want a golden rule that will fit everything, this is it: Have nothing in your houses that you do not know to be useful or believe to be beautiful.
    —William Morris (1834–1896)

    I try to make a rough music, a dance of the mind, a calculus of the emotions, a driving beat of praise out of the pain and mystery that surround me and become me. My poems are meant to make your mind get up and shout.
    Judith Johnson Sherwin (b. 1936)