Music
Morning View features a variety of styles: ambience, aggression, and groove. It has an overall softer sound than previous albums, especially apparent on songs like "Echo" and "Are You In?"; however, Incubus's heavier side is still evident on tracks like "Have You Ever" and "Under My Umbrella." Songs such as "Just a Phase" display more original song structures compared to their previous work. Regarding the album's unique sound, guitarist Mike Einziger notes that it:
"would've been really easy for us to try to replicate certain songs that did well on our last record, which we didn't do. We didn't do anything even remotely close to that. We put pressure on ourselves to make a good record because if none of us were happy with it, we'll all be miserable for the next two years while we're on tour."
The final song, "Aqueous Transmission", employs the use of Chinese instruments such as the pipa and is accompanied by a Japanese orchestra. The pipa used on the recording was given to Mike Einziger from Steve Vai, who also helped him develop the main riff to "Echo." "Aqueous Transmission" is 7 minutes and 46 seconds long, with the last minute consisting of frogs croaking outside the studio in Malibu. Boyd jokingly said that the purpose of the song was to make "the listener pee in his/her pants" from relaxation.
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Famous quotes containing the word music:
“Franceska: I was happy in the life I built up for myself. I put a fine high wall of music around me and nothing could touch me. I was safe and secure. And then you had to come along and knock it all down and I hate you for that.
Maxwell: On the contrary, you love me.”
—Muriel Box (b. 1905)
“I used to be angry all the time and I’d sit there weaving my anger. Now I’m not angry. I sit there hearing the sounds outside, the sounds in the room, the sounds of the treadles and heddles—a music of my own making.”
—Bhakti Ziek (b. c. 1946)
“In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,—the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.”
—Laurence Sterne (1713–1768)