Morin Khuur - Cultural Influence

Cultural Influence

The morin khuur is the national instrument in Mongolia. Many festivals are held for celebrating the importance of this instrument on the Mongolian culture, like the biennal occurring "International Morin Huur Festival and competition", which is organized by the "World Morinhuur Association". First held in 2008, second in 2010 - with 8 participating countries (Mongolia, Corea, China, Russia, USA, Germany, France, Japan) - and planned for May 2012. Here many amateurs come and play freestyle pieces, but also a professional contest is held and an instrument making competition.

During June the "roaring hooves" festival is held. This is a small festival for professional skilled players - but unfortunately a closed festival. These recordings are often shown in TV reports later.

On the national festival "Naadam" praise songs are played for the most magnificent horse and for the highest ranked wrestler and archer. The songs are called "Magtaal" and accompanied by a unique style of praise and morin khuur.

Also many Mongolians have an instrument in their home, because it is a symbol for peace and happiness.

During the winter time, but also in beginning of the spring time a morin khuur player is called in for the "жавар үргээх", the "ceremony for scaring away the frost". In general many traditional pieces are played, divided in the different styles: "уртын дуу", "urtiin duu" (long song), "магтаал", "magtaal" (praise songs) and "татлага", "tatlaga" (solo pieces, mostly imitiating horses or camels).

The fourth style, the "биелгее" is rarely played in these ceremonies, but in western Mongolia it is common for accompanying "tatlaga dancing" in 3 times - like a waltz, but with dance movements imitating daily tasks of a nomad's family.

Read more about this topic:  Morin Khuur

Famous quotes containing the words cultural and/or influence:

    The men who are messing up their lives, their families, and their world in their quest to feel man enough are not exercising true masculinity, but a grotesque exaggeration of what they think a man is. When we see men overdoing their masculinity, we can assume that they haven’t been raised by men, that they have taken cultural stereotypes literally, and that they are scared they aren’t being manly enough.
    Frank Pittman (20th century)

    What arouses the indignation of the honest satirist is not, unless the man is a prig, the fact that people in positions of power or influence behave idiotically, or even that they behave wickedly. It is that they conspire successfully to impose upon the public a picture of themselves as so very sagacious, honest and well-intentioned.
    Claud Cockburn (1904–1981)