Criticism
Thai academic Prayut Wannaudom has argued that modern mor lam is increasingly sexualised and lacking in the moral teachings which it traditionally conveyed, and that commercial pressures encourage rapid production and imitation rather than quality and originality. On the other hand, these adaptations have allowed mor lam not only to survive, but itself spread into the rest of Thailand and internationally, validating Isan and Lao culture and providing role-models for the young.
Professor Charles F. Keyes argues for the value of the ancient forms as geomythology: "The Thai-Lao people of northeastern Thailand have a well-developed tradition of 'legends' (nithān) which has been perpetuated in past through the media of folk opera ... known as mō lam mū ... no small number record events which happened 'long ago' on the Khorat Plateau... ot historical accounts, they are not totally lacking in historical value. A number ... make reference to places which can be identified as being the sites of the ancient towns.... he literature of the region has yet to be fully inventoried, much less analyzed," and adds in a footnote: "Unfortunately, most of these publications have had little circulation outside of the folk opera troupes for which they were intended." He next comments on five toponyms mentioned in the myth of Phadaeng and Nang Ai, and compares these with those in the "Accounts of Fā Dāēet-Song Yāng".
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