Plot
Brian Cohen is born in a stable a few doors from the one in which Jesus is born, which initially confuses the three wise men who come to praise the future King of the Jews. Brian grows up an idealistic young man who resents the continuing Roman occupation of Judea. While attending Jesus' Sermon on the Mount, Brian becomes infatuated with an attractive young rebel, Judith. His desire for her and hatred for the Romans lead him to join the People's Front of Judea (PFJ), one of many fractious and bickering independence movements, who spend more time fighting each other than the Romans.
After several misadventures, and escaping from Pontius Pilate, the fugitive winds up in a line-up of would-be mystics and prophets who harangue the passing crowd in a plaza. Forced to come up with something plausible in order to blend in and keep the guards off his back, Brian babbles pseudo-religious truisms, and quickly attracts a small but intrigued audience. Once the guards have left, Brian tries to put the episode behind him, but he has unintentionally inspired a movement. He grows frantic when he finds that some people have started to follow him around, with even the slightest unusual occurrence being hailed as a "miracle". After slipping away from the mob, Brian runs into Judith, and they spend the night together. In the morning, Brian opens the curtains to discover an enormous crowd of people outside his mother's house, all proclaiming him to be the Messiah. Brian's mother protests: "He's not the Messiah, he's a very naughty boy". Brian finds himself unable to change their minds, because his every word and action are immediately seized as points of doctrine.
Neither can the hapless Brian find solace back at the PFJ's headquarters, where people fling their afflicted bodies at him demanding miracle cures. After sneaking out the back, Brian finally is captured and scheduled to be crucified. Meanwhile, a huge crowd has assembled outside the palace. Pilate (together with the visiting Biggus Dickus) tries to quell the feeling of revolution by granting them the decision of who should be pardoned. The crowd, however, simply shouts out names containing the letter "r", in order to mock Pilate's speech impediment. Eventually, Judith appears in the crowd and calls for the release of Brian, which the crowd echoes, since the name contains the letter "r". Pilate then agrees to "welease Bwian".
The order from Pilate is eventually relayed to the guards, but in a moment parodying the climax of the film Spartacus, various crucified people all claim to be "Brian of Nazareth" (one man shouting "I'm Brian and so's my wife") and the wrong man is released. Various other opportunities for a reprieve for Brian are denied as, one by one, his "allies" (including Judith and his mother) step forward to explain why they are leaving the "noble freedom fighter" hanging in the hot sun. Hope is renewed when the Judean People's Front come charging towards the Romans, but fail to rescue Brian, as they are a suicide squadron, and kill themselves rather than dying in battle. Condemned to a long and painful death, Brian finds his spirits lifted by his fellow sufferers, who break into song with "Always Look on the Bright Side of Life".
Read more about this topic: Monty Python's Life Of Brian
Famous quotes containing the word plot:
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
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“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)