Monte Carlo in Film and Television
Monte Carlo has featured in numerous films and television series, most recently in the 2011 movie of the same name.
The casino featured in the James Bond films Never Say Never Again (1983), and GoldenEye (1995). To Catch a Thief (1954) was an Alfred Hitchcock film with Monte Carlo and its famous casino as the setting and featured Cary Grant and the future Princess Grace of Monaco as the stars. There is a scene in the movie where the-then Grace Kelly drives a car very quickly - and dangerously - along the steep winding roads of Monaco that surround the heights of Monte Carlo; an interesting coincidence to her actual fate in 1982. Monte Carlo was even a location for the late 1960s British London based series Randall and Hopkirk (Deceased) where in the eleventh episode of the series, "The Ghost who Saved the Bank at Monte Carlo", Mike Pratt, Kenneth Cope and Annette Andre went to Monte Carlo to accompany a highly talented elderly woman to gamble inside the casino and waylay a group of thugs (amongst them Brian Blessed). In 1970, Chevrolet introduced a car called the Chevrolet Monte Carlo which went through six generations of production until 2007. The motor race Monaco World Prix 1 in Monte Carlo also featured in the 2010 film Iron Man 2. Other films such as I Spy and Monte Carlo use the city as a setting. The video game series Gran Turismo often features Monte Carlo as a location. The hotel in Monte Carlo, Monaco also made an appearance in the 2012 DreamWorks Animation SKG film Madagascar 3: Europe's Most Wanted.
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Famous quotes containing the words monte, carlo, film and/or television:
“...we were at last in Monte Cristo’s country, fairly into the country of the fabulous, where extravagance ceases to exist because everything is extravagant, and where the wildest dreams come true.”
—Willa Cather (1876–1947)
“If there is anything so romantic as that castle-palace-fortress of Monaco I have not seen it. If there is anything more delicious than the lovely terraces and villas of Monte Carlo I do not wish to see them. There is nothing beyond the semi-tropical vegetation, the projecting promontories into the Mediterranean, the all-embracing sweep of the ocean, the olive groves, and the enchanting climate! One gets tired of the word beautiful.”
—M. E. W. Sherwood (1826–1903)
“Perhaps our eyes are merely a blank film which is taken from us after our deaths to be developed elsewhere and screened as our life story in some infernal cinema or despatched as microfilm into the sidereal void.”
—Jean Baudrillard (b. 1929)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)