Mode (music)
In the theory of Western music, mode (from Latin modus, "measure, standard, manner, way, size, limit of quantity, method") (Powers 2001, Introduction; OED) generally refers to a type of scale, coupled with a set of characteristic melodic behaviours. This usage, still the most common in recent years, reflects a tradition dating to the Middle Ages, itself inspired by the theory of ancient Greek music. The word encompasses several additional meanings, however. Authors from the ninth century until the early eighteenth century sometimes employed the Latin modus for interval. In the theory of late-medieval mensural polyphony, modus is a rhythmic relationship between long and short values or a pattern made from them (Powers 2001, Introduction). Since the end of the eighteenth century, the term "mode" has also applied—in ethnomusicological contexts—to pitch structures in non-European musical cultures, sometimes with doubtful compatibility (Powers 2001, §V,1). Regarding the concept of mode as applied to pitch relationships generally, Harold S. Powers describes a continuum between abstract scale and specific tune, with "most of the area between ... being in the domain of mode" (Powers 2001, §I,3).
Read more about Mode (music): Modes and Scales, Greek, Western Church, Modern, Other Types, Analogues in Different Musical Traditions
Famous quotes containing the word mode:
“I cannot believe that our factory system is the best mode by which men may get clothing. The condition of the operatives is becoming every day more like that of the English; and it cannot be wondered at, since, as far as I have heard or observed, the principal object is, not that mankind may be well and honestly clad, but, unquestionably, that the corporations may be enriched.”
—Henry David Thoreau (18171862)