Modal jazz is jazz that uses musical modes rather than chord progressions as a harmonic framework. Originating in the late 1950s and 1960s, modal jazz is epitomized by Miles Davis's "Milestones" (1958), Kind of Blue (1959), and John Coltrane's classic quartet from 1960–64. Other important performers include Bill Evans, Herbie Hancock, Wayne Shorter, and McCoy Tyner. Though the term comes from the use of the pitches of particular modes (or scales) in the creation of solos, modal jazz compositions or accompaniments may only or additionally make use of the following techniques:
- slow-moving harmonic rhythm, where single chords may last four to sixteen or more measures
- pedal points and drones
- absent or suppressed standard functional chord progressions
- quartal harmonies or melodies
Read more about Modal Jazz: History, Theory, Compositions, Further Reading
Famous quotes containing the word jazz:
“The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)