Practice
Memory feats centred around numbers can be performed by experts who have learned a 'vocabulary' of at least 1 image for every 1 and 2 digit numbers which can be combined to form narratives. To learn a vocabulary of 3 digit numbers is harder because for each extra digit 10 times more images need to be learned, but many mnemonists use a set of 1000 images. Combination of images into a narrative is easier to do rapidly than is forming a coherent, grammatical sentence. This pre-memorisation and practice at forming images reduces the time required to think up a good imaginary object and create a strong memorable impression of it. The best words for this purpose are usually nouns, especially those for distinctive objects which make a strong impression on a variety of senses (e.g. a "Lime" for 53, its taste, its smell, its colour and even its texture are distinctive) or which move (like an "arrow" for 4). For basic proficiency a large vocabulary of image words isn't really necessary since, when the table above is reliably learned, it is easy to form your own words ad hoc.
Memorization of base set is much easier using Anki flashcards.
Read more about this topic: Mnemonic Major System
Famous quotes containing the word practice:
“They never consulted with books, and know and can tell much less than they have done. The things which they practice are said not yet to be known.”
—Henry David Thoreau (1817–1862)
“My paternal grandmother would not light a fire on the Sabbath and piled all Sunday’s washing-up in a bucket, to be dealt with on Monday morning, because the Sabbath was a day of rest—a practice that made my paternal grandfather, the village atheist, as mad as fire. Nevertheless, he willed five quid to the minister, just to be on the safe side.”
—Angela Carter (1940–1992)
“Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.”
—Angela Carter (1940–1992)