Style
Jazz fusion is a "lead" style of playing distinguished by interplay with lead instruments such as guitar or keyboards, and the blending of jazz and rock drumming styles. Though the use of lead drums was not a new concept in jazz, it was relatively unheard of in rock. Upon joining Hendrix in late 1966, it became evident to Mitchell that the trio format of the band was similar to the recently formed Cream, and that it would allow him to become more free with his playing. Like a jazz drummer, Mitchell's playing not only provided a rhythmic support for the music, but also a source of momentum and melody. He made heavy use of snare rudiments, fast single and double stroke rolls, and jazz triplet patterns, and shifted between both traditional and matched grips. Examples of his style include the rudiment-heavy fills on "Hey Joe", which help to carry the song through a series of increasingly intense climaxes. "Manic Depression" is a 3/4 rock waltz that finds Mitchell playing a driving Afro-Cuban inspired beat, which then shifts to an explosion of triplets around the drumkit during the outro.
"Third Stone from the Sun" incorporates a swing ride pattern to underpin Hendrix's jazzy surf guitar, and the spacey breakdown section features polyrhythmic drum fills that float over the 4/4 meter. "1983... (A Merman I Should Turn to Be)" features military-style snare drum work and delicate cymbal playing that evokes the sound of wind chimes. The long blues jam "Voodoo Chile" features Mitchell playing a deep blues groove with subtle hi-hat accenting and powerful drum fills.
Read more about this topic: Mitch Mitchell
Famous quotes containing the word style:
“To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?”
—Rémy De Gourmont (1858–1915)
“I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made.”
—Ernest Hemingway (1899–1961)
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—Cyril Connolly (1903–1974)