Minnie Mouse - Origins of The Character

Origins of The Character

In 1928, Walt Disney and Ub Iwerks created Mickey Mouse to act as a replacement to his previous star Oswald the Lucky Rabbit. But Mickey could not fill the void alone. Among the few consistent character traits Oswald had developed before moving on to Universal Studios was his near-constant pursuit of potential sweethearts. So for Mickey to have a chance to emulate his predecessor at flirting, someone had to replace Oswald's many love interests. This replacement to Miss Rabbit, Miss Cottontail, Fanny and an uncertain number of unnamed nurses and dancers was to become Minnie Mouse.

Minnie was designed in the fashion of a "flapper" girl. She was so probably intended to follow the trends of then-modern youth culture, such as liking the color red, in an effort to add to her audience appeal. Her main outfit today usually includes a short polka-dotted dress with a matching bow and white gloves. Although she always appears in red, she was originally designed to have a blue and green outfit. In the 1929 cartoon The Karnival Kid it was also revealed that she wears black stockings. Her shoes are probably her most distinctive article of clothing. For comedic effect, she wears over-sized high heeled pumps that are too big for her feet. Her heels often slip out of her shoes, and she even loses her shoes completely in The Gallopin' Gaucho. When she walked or danced, the clip clop of her large pumps were usually heard clearly and often went with the rhythm of the music that was played in the background. Along with Mickey, she was redesigned in the 1940s. Her hat was replaced with a large bow, and bows were added to her shoes as well. Her eyes were also given more detail. Throughout the forties and fifties, her look and personality became more conservative. This can be attributed to the fact that, as a result of The Great Depression and World War II, the culture of the USA had become more conservative, and the flapper girl style was falling out of fashion.

Minnie first appeared in Plane Crazy. Minnie is invited to join Mickey in the first flight of his aircraft. She accepts the invitation but not his request for a kiss in mid-flight. Mickey eventually forces Minnie into a kiss but this only result in her parachuting out of the plane. This first film depicted Minnie as somewhat resistant to the demanding affection of her potential boyfriend and capable of escaping his grasp.

Their debut however featured the couple already familiar to each other. The next film featuring them was The Gallopin' Gaucho. The film was the second of their series to be produced, but the third to be released, and was released on December 30, 1928. We find Minnie employed as the Cantina Argentina, a bar and restaurant established in the Pampas of Argentina. She performs the Tango for Mickey the gaucho and Black Pete the outlaw. Both flirt with her but the latter intends to abduct her while the former obliges in saving the Damsel in Distress from the villain. All three characters acted as strangers first being introduced to each other.

But it was their third cartoon that established the definitive early look and personality of both Mickey and Minnie, as well as Pete. Steamboat Willie, was the third short of the series to be produced but released first on November 18, 1928. Pete was featured as the Captain of the steamboat, Mickey as a crew of one and Minnie as their single passenger. The two anthropomorphic mice first star in a sound film and spend most of its duration playing music to the tune of "Turkey in the Straw".

Read more about this topic:  Minnie Mouse

Famous quotes containing the words origins of, origins and/or character:

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.
    Lewis Mumford (1895–1990)

    A quality is something capable of being completely embodied. A law never can be embodied in its character as a law except by determining a habit. A quality is how something may or might have been. A law is how an endless future must continue to be.
    Charles Sanders Peirce (1839–1914)