Career
In the 1920s, Harris transitioned from child actress to leading lady roles opposite leading men such as Conrad Nagel, Milton Sills, Lionel Barrymore, Rod La Rocque and the Moore brothers, Owen and Tom. She appeared in Frank Capra's 1928 silent drama The Power of the Press with Douglas Fairbanks, Jr. and Jobyna Ralston.
She found the transition to the "talkies" difficult and her career slowed dramatically. She performed in vaudeville and burlesque, and, at one point, toured with comedian Phil Silvers. She was critically praised for her performance in the 1930 film adaptation of the Broadway musical No, No Nanette. In the 1936 Three Stooges comedy Movie Maniacs, she portrayed a temperamental and demanding film starlet who, while receiving a pedicure, is startled by stooge Curly Howard striking a match on the sole of her foot.
Harris continued to work in film in the early 1940s, largely through the kindness of her former director, Cecil B. DeMille, who cast her in bit parts in 1942's Reap the Wild Wind (starring Paulette Goddard, who, like Harris, was once married to Charlie Chaplin), and 1944's The Story of Dr. Wassell. Her last film appearance was in the posthumously-released 1945 film Having A Wonderful Crime.
Read more about this topic: Mildred Harris
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