Work
Although his early poetic works are staunchly pro-communist, his novels escape ideological classification. Kundera has repeatedly insisted on being considered a novelist, rather than a political or dissident writer. Political commentary has all but disappeared from his novels (starting specifically after The Unbearable Lightness of Being) except in relation to broader philosophical themes. Kundera's style of fiction, interlaced with philosophical digression, greatly inspired by the novels of Robert Musil and the philosophy of Nietzsche, is also used by authors Alain de Botton and Adam Thirlwell. Kundera takes his inspiration, as he notes often enough, not only from the Renaissance authors Giovanni Boccaccio and Rabelais, but also from Laurence Sterne, Henry Fielding, Denis Diderot, Robert Musil, Witold Gombrowicz, Hermann Broch, Franz Kafka, Martin Heidegger, and perhaps most importantly, Miguel de Cervantes, to whose legacy he considers himself most committed.
Originally, he wrote in Czech. From 1993 onwards, he has written his novels in French. Between 1985 and 1987 he undertook the revision of the French translations of his earlier works. As a result, all of his books exist in French with the authority of the original. His books have been translated into many languages.
A detailed discussion of Milan Kundera's work in English, written originally by Jan Čulík for the US Dictionary of Literary Biography, is available on the website of the University of Glasgow here.
Read more about this topic: Milan Kundera
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“More than ten million women march to work every morning side by side with the men. Steadily the importance of women is gaining not only in the routine tasks of industry but in executive responsibility. I include also the woman who stays at home as the guardian of the welfare of the family. She is a partner in the job and wages. Women constitute a part of our industrial achievement.”
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