Mike Dringenberg - Biography

Biography

Dringenberg was born in Laon, France. Dringenberg's earliest work was in independent comics in the 1980s for publishers such as Eclipse and Vortex, including Enchanter, Alien Worlds, Total Eclipse and Kelvin Mace. He also worked on Adolescent Radioactive Blackbelt Hamsters (a parody of Teenage Mutant Ninja Turtles, which itself was a parody of many current comic books), and Shock the Monkey. His mainstream work includes DC's Doom Patrol with writer Grant Morrison (where he co-created Flex Mentallo), the fantasy card game Magic: The Gathering, and White Wolf Publishing's card game Vampire: The Eternal Struggle.

Dringenberg came to prominence for his work on The Sandman, where he started as series' inker (over pencil art by Sam Kieth) but switched to pencilling when Kieth left after the fifth issue. He drew eleven issues, all but one inked by Malcolm Jones III, and his understated, realistic style did much to establish the tone of the series. He co-created the popular character Death, whom he based on Cinamon, a girl he knew from the dance clubs in Salt Lake City, Utah (Gaiman had imagined her looking like Louise Brooks or Nico, but ultimately preferred Dringenberg's version). He also co-created Desire, basing his/her appearance on the work of Patrick Nagel, and had a hand in much of the character design apparent in the early series.

Dringenberg's work appears in the Sandman collections "Preludes and Nocturnes", "The Doll's House" and "Season of Mists". He is credited in every printing as being one of the series' creators, as he is responsible for the iconic representation of many of the principal characters.

He is currently a popular illustrator of book jackets and CD covers, most notably for various books by J.R.R. Tolkien, Kij Johnson, Charles de Lint, Kage Baker, and San Francisco's Big City Orchestra. He also did interior decorations for Sharyn November's Firebirds Soaring (2009).

Read more about this topic:  Mike Dringenberg

Famous quotes containing the word biography:

    Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
    Rebecca West [Cicily Isabel Fairfield] (1892–1983)

    A biography is like a handshake down the years, that can become an arm-wrestle.
    Richard Holmes (b. 1945)

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)