Midnight Movie

The term midnight movie is rooted in the practice that emerged in the 1950s of local television stations around the United States airing low-budget genre films as late-night programming, often with a host delivering sardonic asides. As a cinematic phenomenon, the midnight screening of offbeat movies began in the early 1970s in a few urban centers, particularly New York City, eventually spreading across the country. The screening of nonmainstream pictures at midnight was aimed at building a cult film audience, encouraging repeat viewing and social interaction in what was originally a countercultural setting. The national success of The Rocky Horror Picture Show and the changing economics of the film exhibition industry altered the nature of the midnight movie phenomenon; as its association with broader trends of cultural and political opposition dwindled in the 1980s, the midnight movie became a more purely camp experience—in effect, bringing it closer to the television form that shares its name. The term midnight movie is now often used in two different, though related, ways: as a synonym for B movie, reflecting the relative cheapness characteristic of late-night movies both theatrically and on TV, and as a synonym for cult film.

Read more about Midnight Movie:  Midnight Releases

Famous quotes containing the words midnight and/or movie:

    I sprang to the stirrup, and Joris and he;
    I galloped, Dirck galloped, we galloped all three;
    “Good speed!” cried the watch as the gate-bolts undrew,
    “Speed!” echoed the wall to us galloping through.
    Behind shut the postern, the lights sank to rest,
    And into the midnight we galloped abreast.
    Robert Browning (1812–1889)

    The End?
    —Theodore Simonson. Irvin S. Yeaworth, Jr.. End title card, The Blob, printed on screen at the end of the movie (1958)