Michel Houellebecq - Works

Works

Houellebecq graduated as an agronomist in 1980, got married and had a son; then he divorced, became depressed and took up writing poetry. His first poems appeared in 1985 in the magazine La Nouvelle Revue. Six years later, in 1991, he published a biography of the horror writer H P Lovecraft, a teenage passion, with the prophetic subtitle 'Against the World, Against Life'. Rester vivant:méthode (To Stay Alive) appeared the same year, and was followed by his first collection of poetry. Meanwhile he worked as a computer administrator in Paris, including at the French National Assembly, before he became the so-called "pop star of the single generation", gaining fame with his début novel Extension du domaine de la lutte in 1994 (translated into English by Paul Hammond as Whatever).

He won the 1998 Prix Novembre for his second novel Les Particules Élémentaires (translated by Frank Wynne) and published as Atomised (Heinemann, UK) or, The Elementary Particles (Knopf, US). The novel became an instant "nihilistic classic". Michiko Kakutani, however, described it in The New York Times as "a deeply repugnant read." The novel won Houellebecq—along with his translator, Frank Wynne—the International IMPAC Dublin Literary Award in 2002.

In 2000, Houellebecq published the short fiction Lanzarote (published in France with a volume of his photographs), in which he develops a number of the themes he would explore in later novels, including fringe religions and cult leaders. His subsequent novel, Plateforme (2001), earned him a wider reputation. It is a romance told mostly in the first-person by a 40 year-old male arts administrator, with many sex scenes and an approving attitude towards prostitution and sex tourism. The novel's depiction of life and its explicit criticism of Islam, together with an interview its author gave to the magazine Lire, led to accusations against Houellebecq by several organisations, including France's Human Rights League, the Mecca-based World Islamic League and the mosques of Paris and Lyon. Charges were brought to trial, but a panel of three judges, delivering their verdict to a packed Paris courtroom, acquitted the author of having provoked 'racial' hatred, ascribing Houellebecq's opinions to the legitimate right of criticizing religions.

The Possibility of an Island (La Possibilité d'une île) (2005) is a novel that cycles between three characters' narratives, Daniel 1 (a contemporary comedian) and Daniels 24 and 25, neo-human clones of Daniel 1. He later adapted and directed the film based on his novel. In 2008, Flammarion published Ennemis publics (Public Enemies) a conversation via e-mail between Michel Houellebecq and Bernard-Henri Lévy.

Houellebecq has also released a music CD Présence humaine, on Bertrand Burgalat's Tricatel label in 2000, on which he sings, or rather recites a selection of his poetry, over a rock band backing.

A recurrent theme in Houellebecq's novels is the intrusion of free-market economics into human relationships and sexuality. Whatever (Original title, Extension du domaine de la lutte, which literally translates as "extension of the domain of the struggle") alludes to economic competition extending into the search for relationships. As the book says, a free market has winners and losers, and the same applies to relationships in a society that does not enforce monogamy. Westerners of both sexes already seek exotic locations and climates by visiting developing countries in organized trips. In Platform, the logical conclusion is that they would respond positively to sex tourism organized and sold in a corporate and professional fashion.

Although Houellebecq's work is oftentimes credited with building on conservative, if not reactionary, ideas, his critical depiction of the hippie movement, New Age ideology and the May 1968 generation, especially in Les Particules Elementaires, echoes the thesis of Marxist sociologist Michel Clouscard.

His novel The Map and the Territory (La Carte et le Territoire) was released in September 2010 by Flammarion and won the Prix Goncourt. Slate magazine accused him of plagiarising some passages of this book from French Wikipedia. Houellebecq denied that this was plagiarism, stating that "taking passages word for word was not stealing so long as the motives were to recycle them for artistic purposes", evoking the influence of Georges Perec or Jorge Luis Borges, and advocating the use of all sorts of raw materials in literature, even advertising, recipes or math problems.