Michael Palin - Television

Television

  • Now! (October 1965 – middle 1966)
  • The Ken Dodd Show
  • Billy Cotton Bandshow
  • The Illustrated Weekly Hudd
  • The Frost Report. (10 March 1966 – 29 June 1967)
  • The Late Show (15 October 1966 – 1 April 1967)
  • A Series of Bird's (1967) (3 October 1967 – 21 November 1967 screenwriter (guest stars)
  • Twice a Fortnight (21 October 1967 – 23 December 1967)
  • Do Not Adjust Your Set (26 December 1967 – 14 May 1969)
  • Broaden Your Mind (1968)
  • How to Irritate People (1968)
  • Marty (TV series) (1968)
  • The Complete and Utter History of Britain (1969)
  • Monty Python's Flying Circus (5 October 1969 – 5 December 1974)
  • Saturday Night Live (Hosted 8 April 1978 with Musical Guest Eugene Record, and 27 January 1979 with The Doobie Brothers)
  • Ripping Yarns (1976–1979)
  • Great Railway Journeys of the World, episode title "Confessions of a Trainspotter" (1980)
  • East of Ipswich (1987) writer
  • Michael Palin: Around the World in 80 Days (1989)
  • GBH (1991)
  • Pole to Pole (1992)
  • Great Railway Journeys, episode title "Derry to Kerry" (1994)
  • The Wind in the Willows (1995)
  • The Willows in Winter (1996)
  • Full Circle with Michael Palin (1997)
  • Palin On Redpath (1997)
  • Michael Palin's Hemingway Adventure (1999)
  • Michael Palin On... The Colourists (2000)
  • Sahara with Michael Palin (2002)
  • Life on Air (2002)
  • Himalaya with Michael Palin (2004)
  • Michael Palin's New Europe (2007)
  • Around the World in 20 Years (30 December 2008)
  • Brazil with Michael Palin (2012)

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Famous quotes containing the word television:

    “What is a television apparatus to man, who has only to shut his eyes to see the most inaccessible regions of the seen and the never seen, who has only to imagine in order to pierce through walls and cause all the planetary Baghdads of his dreams to rise from the dust.”
    —Salvador Dali (1904–1989)

    “Laughter on American television has taken the place of the chorus in Greek tragedy.... In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.”
    —Jean Baudrillard (b. 1929)

    “It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
    —Marie Winn (20th century)