Michael Moorcock - Biography

Biography

Michael Moorcock was born in London in 1939 and the landscape of London, particularly the area of Notting Hill Gate and Ladbroke Grove, is an important influence in many of his novels (cf. the Cornelius novels). In the 1990s, Moorcock moved to Texas in the United States.

Moorcock is the former husband of Hilary Bailey. He is also the former husband of Jill Riches, the illustrator, who later became Robert Calvert's wife. Riches did cover illustrations for some of Moorcock's books.

Moorcock was a member of the Swordsmen and Sorcerers' Guild of America (SAGA), a loose-knit group of heroic fantasy authors founded in the 1960s, some of whose works were anthologized in Lin Carter's Flashing Swords! anthologies.

Moorcock was "Co-Guest of Honor" at the 1976 World Fantasy Convention in New York City. In 1997, Moorcock was one of the Guests of Honor at the 55th World Science Fiction Convention in San Antonio, Texas. He is a 2002 inductee into the Science Fiction Hall of Fame.

Moorcock was the subject of two book length works, a monograph and an interview, by Colin Greenland. In 1983, Greenland published The Entropy Exhibition: Michael Moorcock and the British 'New Wave' in Science Fiction. He followed this with Michael Moorcock: Death is No Obstacle, a book length interview in 1992.

Read more about this topic:  Michael Moorcock

Famous quotes containing the word biography:

    Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
    Rebecca West [Cicily Isabel Fairfield] (1892–1983)

    In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.
    Henry David Thoreau (1817–1862)

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)