Metric Variations
Poems with a well-defined overall metric pattern often have a few lines that violate that pattern. A common variation is the inversion of a foot, which turns an iamb ("da-DUM") into a trochee ("DUM-da"). Another common variation is a headless verse, which lacks the first syllable of the first foot. Yet a third variation is catalexis, where the end of a line is shortened by a foot, or two or part thereof - an example of this is at the end of each verse in Keats' 'La Belle Dame sans Merci':
- And on thy cheeks a fading rose (4 feet)
- Fast withereth too (2 feet)
Foot type | Style | Stress pattern | Syllable count |
---|---|---|---|
Iamb | Iambic | Unstressed + Stressed | Two |
Trochee | Trochaic | Stressed + Unstressed | Two |
Spondee | Spondaic | Stressed + Stressed | Two |
Anapest | Anapestic | Unstressed + Unstressed + Stressed | Three |
Dactyl | Dactylic | Stressed + Unstressed + Unstressed | Three |
Amphibrach | Amphibrachic | Unstressed + Stressed + Unstressed | Three |
Pyrrhic | Pyrrhic | Unstressed + Unstressed | Two |
Source: Cummings Study Guides
If there is one foot, it's called monometer; two feet, dimeter; three is trimeter; four is tetrameter; five is pentameter; six is hexameter, seven is heptameter and eight is octameter. For example, if the feet are iambs, and if there are five feet to a line, then it's called iambic pentameter. If the feet are primarily dactyls and there are six to a line, then it's dactylic hexameter.
Read more about this topic: Metre (poetry)
Famous quotes containing the word variations:
“I may be able to spot arrowheads on the desert but a refrigerator is a jungle in which I am easily lost. My wife, however, will unerringly point out that the cheese or the leftover roast is hiding right in front of my eyes. Hundreds of such experiences convince me that men and women often inhabit quite different visual worlds. These are differences which cannot be attributed to variations in visual acuity. Man and women simply have learned to use their eyes in very different ways.”
—Edward T. Hall (b. 1914)