Meter (music) - Meter in Song

Meter in Song

The concept of meter in music derives in large part from the poetic meter of song and includes not only the basic rhythm of the foot, pulse-group or figure used but also the rhythmic or formal arrangement of such figures into musical phrases (lines, couplets) and of such phrases into melodies, passages or sections (stanzas, verses) to give what Holst (1963, 18) calls "the time pattern of any song" (See also: Form of a musical passage).

Traditional and popular songs may draw heavily upon a limited range of meters, leading to interchangeability of melodies. Early hymnals commonly did not include musical notation but simply texts that could be sung to any tune known by the singers that had a matching meter. For example The Blind Boys of Alabama rendered the hymn Amazing Grace to the setting of The Animals' version of the folk song The House of the Rising Sun. This is possible because the texts share a popular basic four-line (quatrain) verse-form called ballad meter or, in hymnals, common meter, the four lines having a syllable-count of 8:6:8:6 (Hymns Ancient and Modern Revised), the rhyme-scheme usually following suit: ABAB. There is generally a pause in the melody in a cadence at the end of the shorter lines so that the underlying musical meter is 8:8:8:8 beats, the cadences dividing this musically into two symmetrical "normal" phrases of four measures each (MacPherson, 14).

Two-fold, four-fold and eight-fold division and multiplication of phrases into measures and of phrases into passages is indeed "common" and "normal"—the above arrangement is typical of the Baroque suite and the Bach chorale—but it is far from universal. "God Save the Queen", for example, has six three-beat measures in its first phrase and eight in the second yet it still achieves symmetry. A Twelve-bar blues has three lines, not two or four, of four measures each.

In some regional music, for example Balkan music (like Bulgarian music, and the Macedonian 3+2+2+3+2 meter), a wealth of irregular or compound meters are used. Other terms for this are "additive meter" (London 2001, §I.8) and "imperfect meter" (Gardner 1964,).

Read more about this topic:  Meter (music)

Famous quotes containing the words meter and/or song:

    Much poetry seems to be aware of its situation in time and of its relation to the metronome, the clock, and the calendar. ... The season or month is there to be felt; the day is there to be seized. Poems beginning “When” are much more numerous than those beginning “Where” of “If.” As the meter is running, the recurrent message tapped out by the passing of measured time is mortality.
    William Harmon (b. 1938)

    Stay me with flagons, comfort me with apples: for I am sick of love.
    —Bible: Hebrew The Song of Solomon 2:5.