Metal Machine Music, subtitled *The Amine β Ring, is the fifth solo album by American rock musician Lou Reed. It was originally released as a double album by RCA Records in 1975. It was reissued on a single compact disc by BMG in 1997 and again by Buddah Records in 2000.
As a radical departure from the rest of Reed's catalog, Metal Machine Music is generally considered to be either a joke, a grudging fulfillment of a contractual obligation, or an early example of noise music. The album features no songs or even recognizably structured compositions, eschewing melody and rhythm for an hour of over-modulated feedback and guitar effects, intricately mixed at varying speeds by Reed himself. In the album's liner notes he claimed to have invented heavy metal and asserted that Metal Machine Music was the ultimate conclusion of that genre. The album made Reed a laughing stock in the rock industry while simultaneously opening the door for his later, more experimental material. Historically, Metal Machine Music is now considered a seminal forerunner of industrial music, noise rock, and contemporary sound art.
In 2010, Reed, Ulrich Krieger, and Sarth Calhoun collaborated to tour, playing free improvisation inspired by the album, as Metal Machine Trio. That same year, Reed announced his plans to re-release Metal Machine Music in remastered form.
Read more about Metal Machine Music: Style, Critical Reception, Performance, Track Listing
Famous quotes containing the word machine:
“The machine has had a pernicious effect upon virtue, pity, and love, and young men used to machines which induce inertia, and fear, are near impotents.”
—Edward Dahlberg (19001977)