Mesopotamia In Classical Literature
Before the decipherment of cuneiform text, knowledge of the history of the ancient Mesopotamia and was mostly dependent upon classical authorities, besides the Hebrew Bible. These testimonies were scanty and confused for times predating the 7th century BCE. Had the native history of Berossus survived, this may not have been the case; all that is known of the Chaldaean historian's work, however, is derived from quotations in Josephus, Ptolemy, Eusebius, Jerome and George Syncellus.
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“Et in Arcadia ego.
[I too am in Arcadia.]”
—Anonymous, Anonymous.
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)
“But it is fit that the Past should be dark; though the darkness is not so much a quality of the past as of tradition. It is not a distance of time, but a distance of relation, which makes thus dusky its memorials. What is near to the heart of this generation is fair and bright still. Greece lies outspread fair and sunshiny in floods of light, for there is the sun and daylight in her literature and art. Homer does not allow us to forget that the sun shone,—nor Phidias, nor the Parthenon.”
—Henry David Thoreau (1817–1862)