Mesopotamia In Classical Literature
Before the decipherment of cuneiform text, knowledge of the history of the ancient Mesopotamia and was mostly dependent upon classical authorities, besides the Hebrew Bible. These testimonies were scanty and confused for times predating the 7th century BCE. Had the native history of Berossus survived, this may not have been the case; all that is known of the Chaldaean historian's work, however, is derived from quotations in Josephus, Ptolemy, Eusebius, Jerome and George Syncellus.
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“Et in Arcadia ego.
[I too am in Arcadia.]”
—Anonymous, Anonymous.
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)
“Most literature on the culture of adolescence focuses on peer pressure as a negative force. Warnings about the “wrong crowd” read like tornado alerts in parent manuals. . . . It is a relative term that means different things in different places. In Fort Wayne, for example, the wrong crowd meant hanging out with liberal Democrats. In Connecticut, it meant kids who weren’t planning to get a Ph.D. from Yale.”
—Mary Kay Blakely (20th century)