Career
LeRoy worked in costumes, processing labs and as a camera assistant until he became a gag writer and actor in silent films. His first directing job was in 1927's No Place to Go. When his movies made lots of money without costing too much, he became well received in the movie business.
In 1931 he directed two key films which launched Edward G. Robinson into major stardom, the Oscar-nominated critique of tabloid journalism Five Star Final, and the classic gangster epic Little Caesar. From that point forward, LeRoy would be responsible for a diverse variety of films as a director and producer. In 1938 he was chosen as head of production at MGM, where he was responsible for the decision to make The Wizard of Oz. He was responsible for discovering Clark Gable, Loretta Young, Robert Mitchum and Lana Turner.
In the 1950s LeRoy directed such musicals as Lovely to Look At, Million Dollar Mermaid, Latin Lovers and Rose Marie. He moved to Warner Brothers, where he was responsible for such famous films as Mister Roberts, The Bad Seed, No Time for Sergeants, The FBI Story and Gypsy.
He was nominated in 1943 for Best Director for Random Harvest. and also in 1940 as the producer of The Wizard of Oz. In addition, he received an honorary Oscar in 1946 for The House I Live In, "for tolerance short subject", and the Irving G. Thalberg Memorial Award in 1976.
A total of eight movies Mervyn LeRoy directed or co-directed were nominated for Best Picture at the Oscars, one of the highest numbers among all directors.
Read more about this topic: Mervyn LeRoy
Famous quotes containing the word career:
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)