Characters
Lestat de Lioncourt - The main character of the story and the past three books, Lestat was created by a powerful vampire named Magnus, who promptly cremated himself after creating his heir. Lestat is a relatively "good" vampire, only feeding on those he deems evil after reading their minds. In previous books, Lestat made the man named David Talbot a vampire by force, an action that went against vampire law.
Theodora, nicknamed "Dora" - A devout Christian who has a cable TV show. She is very beautiful and charismatic. She is waiting for a miracle to inspire her. Dora is the daughter of Roger. She won't take anything from Roger because he is a mobster. Lestat becomes obsessed with her in the process of hunting her father. Despite the warnings of his vampire kin, he reveals himself to her and she takes it as the miracle she's been awaiting. When Lestat brings her Veronica's veil, Dora starts her own religion.
Roger - Dora's father.A mobster who runs a successful drug ring selling cocaine.When Dora's mother tried to take full custody over her, Roger killed her. After his death, he haunts Lestat, describing his own life and commanding Lestat to watch over Dora from then on.
God - Creator of the universe and all angels. According to Memnoch, He does not know how He came to be and therefore created the universe and life in an attempt to better understand Himself. In telling his account of creation, Memnoch characterizes God as aloof and uncaring.
Memnoch the Devil - The fallen angel of legend. He has long defied God in asking why humans should suffer and not immediately be placed in Heaven. Because of these questions and other actions that he makes, he alleges that he is put in charge of preparing the souls for their ascent into Heaven. Memnoch's domain thus serves as a place of punishment that will eventually earn access to Heaven. He may have sinister ulterior motives.
Read more about this topic: Memnoch The Devil
Famous quotes containing the word characters:
“I cannot be much pleased without an appearance of truth; at least of possibility—I wish the history to be natural though the sentiments are refined; and the characters to be probable, though their behaviour is excelling.”
—Frances Burney (1752–1840)
“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
—Vladimir Nabokov (1899–1977)
“I have often noticed that after I had bestowed on the characters of my novels some treasured item of my past, it would pine away in the artificial world where I had so abruptly placed it.”
—Vladimir Nabokov (1899–1977)