Channel Access Control Mechanism
The channel access control mechanisms provided by the MAC layer are also known as a multiple access protocol. This makes it possible for several stations connected to the same physical medium to share it. Examples of shared physical media are bus networks, ring networks, hub networks, wireless networks and half-duplex point-to-point links. The multiple access protocol may detect or avoid data packet collisions if a packet mode contention based channel access method is used, or reserve resources to establish a logical channel if a circuit switched or channelization based channel access method is used. The channel access control mechanism relies on a physical layer multiplex scheme.
The most widespread multiple access protocol is the contention based CSMA/CD protocol used in Ethernet networks. This mechanism is only utilized within a network collision domain, for example an Ethernet bus network or a hub-based star topology network. An Ethernet network may be divided into several collision domains, interconnected by bridges and switches.
A multiple access protocol is not required in a switched full-duplex network, such as today's switched Ethernet networks, but is often available in the equipment for compatibility reasons.
Read more about this topic: Media Access Control
Famous quotes containing the words channel, access, control and/or mechanism:
“There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.”
—Adrienne Rich (b. 1929)
“Power, in Case’s world, meant corporate power. The zaibatsus, the multinationals ..., had ... attained a kind of immortality. You couldn’t kill a zaibatsu by assassinating a dozen key executives; there were others waiting to step up the ladder; assume the vacated position, access the vast banks of corporate memory.”
—William Gibson (b. 1948)
“The human mind is indeed a cave swarming with strange forms of life, most of them unconscious and unilluminated. Unless we can understand something as to how the motives that issue from this obscurity are generated, we can hardly hope to foresee or control them.”
—Charles Horton Cooley (1864–1929)
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)