Maxwell Anderson - Stage Productions

Stage Productions

  • White Desert – 1923
  • What Price Glory – 1924 – a war drama
  • First Flight – 1925 – (with Laurence Stallings)
  • Outside Looking In (play) – 1925
  • Saturday's Children – 1927
  • Gods of the Lightning – 1929 (with Harold Hickerson)
  • Gypsy – 1928 –
  • Elizabeth the Queen – 1930 – a historical drama in blank verse
  • Night Over Taos – 1932
  • Both Your Houses – 1933 – Pulitzer Prize for Drama
  • Mary of Scotland – 1933 – a historical drama in blank verse
  • Valley Forge – 1934
  • Winterset – 1935 – New York Drama Critics Circle Award
  • The Masque of Kings – 1936
  • The Wingless Victory – 1936
  • Star-Wagon – 1937
  • High Tor – 1937 New York Drama Critics Circle Award
  • The Feast of Ortolans – 1937 – one-act play
  • Knickerbocker Holiday – 1938 – book and lyrics
  • Second Overture – 1938 – one-act play
  • Key Largo – 1939
  • Journey to Jerusalem – 1940
  • Candle in the Wind – 1941
  • The Miracle of the Danube – 1941 – one-act play
  • The Eve of St. Mark – 1942
  • Your Navy – 1942 – one-act play
  • Storm Operation – 1944
  • Letter to Jackie – 1944 – one-act play
  • Truckline Café – 1946
  • Joan of Lorraine (partially written in blank verse) – 1946
  • Anne of the Thousand Days – 1948 – a historical drama in blank verse
  • Lost in the Stars – 1949 – book and lyrics
  • Barefoot in Athens – 1951
  • The Bad Seed – 1954
  • High Tor – 1956 (TV score)
  • The Day the Money Stopped – 1958 – (with Brendan Gill)
  • The Golden Six – 1958

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Famous quotes containing the words stage and/or productions:

    “A work is never completed except by some accident such as weariness, satisfaction, the need to deliver, or death: for, in relation to who or what is making it, it can only be one stage in a series of inner transformations.”
    —Paul Valéry (1871–1945)

    “It is well known, that the best productions of the best human intellects, are generally regarded by those intellects as mere immature freshman exercises, wholly worthless in themselves, except as initiatives for entering the great University of God after death.”
    —Herman Melville (1819–1891)