Maxwell Anderson - Stage Productions

Stage Productions

  • White Desert – 1923
  • What Price Glory – 1924 – a war drama
  • First Flight – 1925 – (with Laurence Stallings)
  • Outside Looking In (play) – 1925
  • Saturday's Children – 1927
  • Gods of the Lightning – 1929 (with Harold Hickerson)
  • Gypsy – 1928 –
  • Elizabeth the Queen – 1930 – a historical drama in blank verse
  • Night Over Taos – 1932
  • Both Your Houses – 1933 – Pulitzer Prize for Drama
  • Mary of Scotland – 1933 – a historical drama in blank verse
  • Valley Forge – 1934
  • Winterset – 1935 – New York Drama Critics Circle Award
  • The Masque of Kings – 1936
  • The Wingless Victory – 1936
  • Star-Wagon – 1937
  • High Tor – 1937 New York Drama Critics Circle Award
  • The Feast of Ortolans – 1937 – one-act play
  • Knickerbocker Holiday – 1938 – book and lyrics
  • Second Overture – 1938 – one-act play
  • Key Largo – 1939
  • Journey to Jerusalem – 1940
  • Candle in the Wind – 1941
  • The Miracle of the Danube – 1941 – one-act play
  • The Eve of St. Mark – 1942
  • Your Navy – 1942 – one-act play
  • Storm Operation – 1944
  • Letter to Jackie – 1944 – one-act play
  • Truckline Café – 1946
  • Joan of Lorraine (partially written in blank verse) – 1946
  • Anne of the Thousand Days – 1948 – a historical drama in blank verse
  • Lost in the Stars – 1949 – book and lyrics
  • Barefoot in Athens – 1951
  • The Bad Seed – 1954
  • High Tor – 1956 (TV score)
  • The Day the Money Stopped – 1958 – (with Brendan Gill)
  • The Golden Six – 1958

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Famous quotes containing the words stage and/or productions:

    “The stage is life, music, beautiful girls, legs, breasts, not talk or intellectualism or dried-up academics.”
    —Harold Clurman (1901–1980)

    “Most new things are not good, and die an early death; but those which push themselves forward and by slow degrees force themselves on the attention of mankind are the unconscious productions of human wisdom, and must have honest consideration, and must not be made the subject of unreasoning prejudice.”
    —Thomas Brackett Reed (1839–1902)