Max Nordau - Works

Works

  • Pariser Studien und Bilder (Paris studies and sketches, 1878)
  • Seifenblasen (Soap bubbles, 1879)
  • Vom Kreml zur Alhambra (From the Kremlin to the Alhambra, 1880)
  • Paris unter der dritten Republik (Paris under the Third Republic, 1881)
  • Die konventionelle Lügen der Kulturmenschheit, in which he shows what he believes to be the essential falsity of some of the social, ethical and religious standards of modern civilization (Conventional Lies of Society, 1883)
  • Entartung (1892)
  • Paradoxe (Paradoxes, 1885)
  • Die Krankheit des Jahrhunderts (The Malady of the Century, 1887)
  • Seelen Analysen (Analysis of souls, 1892)
  • Die Drohnenschlacht (Battle of the drones, 1897)
  • Gefühlskomödie, a novel (A Comedy of Sentiment, 1891)
  • Der Krieg der Millionen, a drama (The war of the millions, 1882)
  • Das Recht zu lieben, a drama (The right to live, 1893)
  • Die Kugel, a drama (The ball, 1894)
  • Dr. Kuhn, a drama (1898)
  • The Drones Must Die (1899)
  • Zeitgenossiche Franzosen (Contemporary French people, 1901)
  • Morganatic (1904)
  • On Art and Artists (1907)
  • Die Sinn der Geschichte (The sense of history, 1909)
  • Zionistische Schriften (Zionist writings, 1909)
  • Mörchen (Crumbs of ruins, 1910)
  • Der Lebenssport (The sport of life, 1912)

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Famous quotes containing the word works:

    “Do not worry about the incarnation of ideas. If you are a poet, your works will contain them without your knowledge—they will be both moral and national if you follow your inspiration freely.”
    —Vissarion Belinsky (1810–1848)

    “When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.”
    —Ralph Waldo Emerson (1803–1882)

    “The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
    —Herman Melville (1819–1891)