Max Nordau - Works

Works

  • Pariser Studien und Bilder (Paris studies and sketches, 1878)
  • Seifenblasen (Soap bubbles, 1879)
  • Vom Kreml zur Alhambra (From the Kremlin to the Alhambra, 1880)
  • Paris unter der dritten Republik (Paris under the Third Republic, 1881)
  • Die konventionelle Lügen der Kulturmenschheit, in which he shows what he believes to be the essential falsity of some of the social, ethical and religious standards of modern civilization (Conventional Lies of Society, 1883)
  • Entartung (1892)
  • Paradoxe (Paradoxes, 1885)
  • Die Krankheit des Jahrhunderts (The Malady of the Century, 1887)
  • Seelen Analysen (Analysis of souls, 1892)
  • Die Drohnenschlacht (Battle of the drones, 1897)
  • Gefühlskomödie, a novel (A Comedy of Sentiment, 1891)
  • Der Krieg der Millionen, a drama (The war of the millions, 1882)
  • Das Recht zu lieben, a drama (The right to live, 1893)
  • Die Kugel, a drama (The ball, 1894)
  • Dr. Kuhn, a drama (1898)
  • The Drones Must Die (1899)
  • Zeitgenossiche Franzosen (Contemporary French people, 1901)
  • Morganatic (1904)
  • On Art and Artists (1907)
  • Die Sinn der Geschichte (The sense of history, 1909)
  • Zionistische Schriften (Zionist writings, 1909)
  • Mörchen (Crumbs of ruins, 1910)
  • Der Lebenssport (The sport of life, 1912)

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Famous quotes containing the word works:

    “Now they express
    All that’s content to wear a worn-out coat,
    All actions done in patient hopelessness,
    All that ignores the silences of death,
    Thinking no further than the hand can hold,
    All that grows old,
    Yet works on uselessly with shortened breath.”
    —Philip Larkin (1922–1986)

    “For thou hast made him a little lower than the angels, and hast
    crowned him with glory and honor.
    Thou madest him to have dominion over the works of thy hands;”
    —Bible: Hebrew Psalm VIII (l. VIII, 5–6)

    “Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
    —Jane Jacobs (b. 1916)