Max Nordau - Works

Works

  • Pariser Studien und Bilder (Paris studies and sketches, 1878)
  • Seifenblasen (Soap bubbles, 1879)
  • Vom Kreml zur Alhambra (From the Kremlin to the Alhambra, 1880)
  • Paris unter der dritten Republik (Paris under the Third Republic, 1881)
  • Die konventionelle Lügen der Kulturmenschheit, in which he shows what he believes to be the essential falsity of some of the social, ethical and religious standards of modern civilization (Conventional Lies of Society, 1883)
  • Entartung (1892)
  • Paradoxe (Paradoxes, 1885)
  • Die Krankheit des Jahrhunderts (The Malady of the Century, 1887)
  • Seelen Analysen (Analysis of souls, 1892)
  • Die Drohnenschlacht (Battle of the drones, 1897)
  • Gefühlskomödie, a novel (A Comedy of Sentiment, 1891)
  • Der Krieg der Millionen, a drama (The war of the millions, 1882)
  • Das Recht zu lieben, a drama (The right to live, 1893)
  • Die Kugel, a drama (The ball, 1894)
  • Dr. Kuhn, a drama (1898)
  • The Drones Must Die (1899)
  • Zeitgenossiche Franzosen (Contemporary French people, 1901)
  • Morganatic (1904)
  • On Art and Artists (1907)
  • Die Sinn der Geschichte (The sense of history, 1909)
  • Zionistische Schriften (Zionist writings, 1909)
  • Mörchen (Crumbs of ruins, 1910)
  • Der Lebenssport (The sport of life, 1912)

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Famous quotes containing the word works:

    “We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
    —Clive Bell (1881–1962)

    “Now they express
    All that’s content to wear a worn-out coat,
    All actions done in patient hopelessness,
    All that ignores the silences of death,
    Thinking no further than the hand can hold,
    All that grows old,
    Yet works on uselessly with shortened breath.”
    —Philip Larkin (1922–1986)

    “My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mother’s in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
    —George Bernard Shaw (1856–1950)