Instruments
With Sepultura, Cavalera played a B.C. Rich Warlock, and now plays a custom ESP 6 String signature guitar. Designed to his specifications and based on the Viper design, the guitar features a Seymour Duncan SH6 Distortion pickup. A budget version (with a stock pickup) is sold under the LTD moniker. Another signature guitar produced by ESP, based on the AX model, is white with a Soulfly logo inlays. He also used a series of Gibson SG guitars during his later years in Sepultura and on the first two Soulfly albums and the tours that supported them. For 2011, ESP did a new signature model for Max, called the Max Cavalera EX, which consists in a single Seymour Duncan distortion and Soulfly logo inlays. He plays through a Peavey 3120, and also used Peavey 6505.
Cavalera's own guitar is only strung with four strings, as he has claimed that he never used the highest two strings. Besides the guitar, he also plays a berimbau, a Brazilian one-string instrument (cordophone family), a sitar and sometimes percussion on stage and studio recordings.
Read more about this topic: Max Cavalera
Famous quotes containing the word instruments:
“Water, earth, air, fire, and the other parts of this structure of mine are no more instruments of your life than instruments of your death. Why do you fear your last day? It contributes no more to your death than each of the others. The last step does not cause the fatigue, but reveals it. All days travel toward death, the last one reaches it.”
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“Whilst Marx turned the Hegelian dialectic outwards, making it an instrument with which he could interpret the facts of history and so arrive at an objective science which insists on the translation of theory into action, Kierkegaard, on the other hand, turned the same instruments inwards, for the examination of his own soul or psychology, arriving at a subjective philosophy which involved him in the deepest pessimism and despair of action.”
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“Fashionable women regard themselves, and are regarded by men, as pretty toys or as mere instruments of pleasure; and the vacuity of mind, the heartlessness, the frivolity which is the necessary result of this false and debasing estimate of women, can only be fully understood by those who have mingled in the folly and wickedness of fashionable life ...”
—Sarah M. Grimke (1792–1873)