Matthew Arnold - Prose

Prose

Assessing the importance of Arnold's prose work in 1988, Stefan Collini stated, "for reasons to do with our own cultural preoccupations as much as with the merits of his writing, the best of his prose has a claim on us today that cannot be matched by his poetry." "Certainly there may still be some readers who, vaguely recalling 'Dover Beach' or 'The Scholar Gipsy' from school anthologies, are surprised to find he 'also' wrote prose."

George Watson follows George Saintsbury in dividing Arnold's career as a prose writer into three phases: 1) early literary criticism that begins with his preface to the 1853 edition of his poems and ends with the first series of Essays in Criticism (1865); 2) a prolonged middle period (overlapping the first and third phases) characterized by social, political and religious writing (roughly 1860–1875); 3) a return to literary criticism with the selecting and editing of collections of Wordsworth's and Byron's poetry and the second series of Essays in Criticism. Both Watson and Saintsbury declare their preference for Arnold's literary criticism over his social or religious criticism. More recent writers, such as Collini, have shown a greater interest in his social writing, while over the years a significant second tier of criticism has focused on Arnold's religious writing. His writing on education has not drawn a significant critical endeavor separable from the criticism of his social writings.

Selections from the Prose Work of Matthew Arnold

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Famous quotes containing the word prose:

    Social questions are too sectional, too topical, too temporal to move a man to the mighty effort which is needed to produce great poetry. Prison reform may nerve Charles Reade to produce an effective and businesslike prose melodrama; but it could never produce Hamlet, Faust, or Peer Gynt.
    George Bernard Shaw (1856–1950)

    I wish our clever young poets would remember my homely definitions of prose and poetry; that is, prose = words in their best order;Mpoetry = the best words in the best order.
    Samuel Taylor Coleridge (1772–1834)

    “There comes Emerson first, whose rich words, every one,
    Are like gold nails in temples to hang trophies on,
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    Is some of it pr—No, ‘t is not even prose;
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    James Russell Lowell (1819–1891)