Career
In 1978, Jane Bernstein and a friend were helping director Jonathan Kaplan cast the violent teen drama Over the Edge when they found Dillon cutting class at Hommocks Middle School in Larchmont. Dillon auditioned for a role and made his debut in the film. The film received a regional, limited theatrical release in May 1979, and grossed only slightly over $200,000. Dillon's performance was well-received, which led to his casting in two films released the following year; the teenage sex comedy Little Darlings, in which Kristy McNichol's character loses her virginity to a boy from the camp across the lake, played by Dillon, and the more serious teen dramedy My Bodyguard, where he played a high-school bully opposite Chris Makepeace. The films, released in March and July 1980, respectively, were box office successes and raised Dillon's profile among teenage audiences.
Another of Dillon's early roles was in the Jean Shepherd PBS special The Great American Fourth of July and Other Disasters. The only available copies of this film are stored at UCLA, where a legal dispute makes it unavailable to the public.
One of his next roles was in Liar's Moon, where he played Jack Duncan, a poor Texas boy madly in love with a rich banker's daughter. In the early 1980s, Dillon also had prominent roles in three adaptations of S. E. Hinton novels: Tex (1982), The Outsiders (1983) and Rumble Fish (1983). All three films were shot in Tulsa, Oklahoma, Hinton's hometown. The Outsiders and Rumble Fish had Dillon working with Francis Ford Coppola and Diane Lane. He followed those up with The Flamingo Kid in 1984. He made his Broadway debut with the play The Boys of Winter in 1985.
Dillon did voiceover work in the 1987 documentary film Dear America: Letters Home from Vietnam. In 1989, Dillon won critical acclaim for his performance as a drug addict in Gus Van Sant's Drugstore Cowboy.
Dillon continued to work in the early 1990s with roles in movies like Singles (1992). He had somewhat of a career resurgence when he played Nicole Kidman's husband in To Die For (1995), as well as starring roles in Wild Things (1998) and There's Something About Mary (1998), for which he received an MTV Movie Award for Best Villain.
In 2002, he wrote and directed the film City of Ghosts, starring himself, James Caan and Gérard Depardieu. That same year he starred in FactotumActually 2005., a film adaptation of an autobiographical work by Charles Bukowski. Two years later he received critical praise and earned a Best Supporting Actor Golden Globe along with Oscar nominations for his role in Crash, a film co-written and directed by Paul Haggis. In 2005 Dillon co-starred in Disney's Herbie: Fully Loaded and on March 11, 2006 hosted Saturday Night Live, in which he impersonated Greg Anderson and Rod Serling in sketches.
Dillon starred in the comedy You, Me and Dupree, opposite Kate Hudson and Owen Wilson. The film opened on July 14, 2006. On September 29, 2006, Dillon was honored with the Premio Donostia prize in the San Sebastián International Film Festival.
Dillon contributed his voice as the narrator, Sal Paradise, in an audiobook version of Jack Kerouac's novel On the Road. In 2006, he narrated Once in a Lifetime: The Extraordinary Story of the New York Cosmos.
Dillon appeared in several music videos during his career. He made a cameo appearance as a detective in Madonna's Bad Girl music video which also stars Christopher Walken. Dillon appeared in 1987 in the music video for "Fairytale of New York" by the Irish folk-punk band The Pogues playing a cop who escorts lead singer Shane MacGowan into the drunk tank". In 2007, the band Dinosaur Jr. hired Dillon to direct the video for their single "Been There All The Time" from the album Beyond. That year, he starred in The Simpsons episode "Midnight Towboy".
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Famous quotes containing the word career:
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“Work-family conflictsthe trade-offs of your money or your life, your job or your childwould not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“A black boxers career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)